Set in Washington D.C., The Walker follows Carter Page (Harrelson), a popular socialite who serves as confidant, companion and card partner to the wives of the most powerful men in America. When Carter's dearest friend (S... more »cott Thomas) finds herself on the brink of a scandal, he covers for her. Suddenly he finds himself the chief suspect in a criminal investigation and this well-connected man-about-town becomes an outcast, hounded by the police and forced to hunt down the true culprit in order to clear his name.« less
Sharon F. (Shar) from AVON PARK, FL Reviewed on 1/28/2024...
Definitely a different role for Woody Harrelson. He plays a gay "armpiece" for several wives of prominent men. I thought it was a little slow moving and boring at times.
1 of 1 member(s) found this review helpful.
K. K. (GAMER) Reviewed on 10/1/2023...
Nothing special compared to what you normally expect from Woody Harrelson. Don’t waste your time with this one!
Michel D. (michelann) from WALNUT GROVE, MO Reviewed on 12/31/2015...
Interesting role for Woody Harrelson, not at all like his usual rowdy self this time around he is a "walker". He take the refined ladies around to social events or plays cards with a group of upper class ladies who love him for his refined type. He is gay and "safe" for the women who rely on his company. But he gets into trouble being in the wrong place at the wrong time and then it gets interesting!
1 of 2 member(s) found this review helpful.
Patricia G. from PUEBLO, CO Reviewed on 2/5/2009...
There is nothing noted on the DVD jacket, but the main character is a gay man living in Washinton, D.C. He tries to do the honorable thing when his female childhood friend is involved in a murder.
2 of 6 member(s) found this review helpful.
Movie Reviews
A Tour de Force for a Fine Cast of Seasoned Actors
Grady Harp | Los Angeles, CA United States | 06/01/2008
(4 out of 5 stars)
"
THE WALKER (defined as a man who escorts rich ladies around town in their leisure) is both a pungent political comment and a fine mystery from Paul Schrader who both wrote and directed this smart film and had the good fortune to surround his tale with a fine cast of actors. It may not be a film for everyone, but it will satisfy viewers who tire of superficial fluff films, allowing time to ponder the way we live and converse today.
Carter Page III (Woody Harelson in one of his finest performances) is an openly gay, well-heeled, dapper man about town who devotes his life to pleasing the wealthy wives of men in high government levels in Washington, DC. Together with Abby (Lily Tomlin), Natalie (Lauren Bacall), Chrissy (Mary Beth Hurt), and Lynn (Kristin Scott Thomas) the group gossips, plays canasta in an expensive hotel parlor, and confides secrets that are surefire rumor fodder. Lynn is escorted by Carter to her lover's home for a tryst only to find the lover murdered. Carter attempts to protect Lynn from scandal only to become implicated himself. Carter discovers secrets about his own insecurities, and while he is solidly supported by his lover Emek (the excellent Moritz Bleibtreu), an artist of strange works that prove subtle background connotations of the mystery that is unwinding, he must face the realities of his decision when confronting husbands, lawyers, police, and intelligence agents (portrayed by such fine actors as Ned Beatty, Willem Defoe, William Hope and Geff Francis). The story is, in many ways, an examination of the corruption in Washington, DC - a fact that may explain why it did not enjoy a long theater run.
For viewers who appreciate fine dialogue and a smart story with well-delineated characters portrayed by superb actors, this is a film that should not be neglected. Grady Harp, June 08"
Compelling
Stone Cold Nuts | Virginia | 03/16/2008
(4 out of 5 stars)
"I found this compelling to watch as the performances of Bacall, Harrelson, and others successfully pulled me into what was a deliberately slow-paced film. Harrelson is impressive as he appears in virtually every scene and does a great job as the gay "Walker" caught up in a murder. It's been some time since I saw a movie that had to be carried more on plot and acting and less on car chases and special effects. But keep the pause button handy as you will need to stop the action and ask others in the room for clarification on what is being said and done - I say that in a good way in that the viewer will second-guess the anticipated outcome."
Great Performances
Amos Lassen | Little Rock, Arkansas | 03/04/2008
(4 out of 5 stars)
""The Walker"
Great Performances
Amos Lassen
There has been a great deal said about Paul Schrader's ("Affliction", "American Gigolo") new film "The Walker", a contemporary drama set in Washington, D.C. It centers on Carter Page (Woody Harrelson), a popular socialite who is the confidant, companion, and sometimes card player to some of the leading ladies in the nation's capital. These women are the wives of the powerful who turn to their gay friend for wisdom, warmth and wit but Carter's loyalty is tested when his closest friend finds out that she is involved in a scandal that could destroy not only her reputation but her husband's career as well. Carter tries to cover for her and in suppressing incriminating information finds he to be the chief suspect in a criminal investigation. He then becomes regarded as a pariah and is forced to find the true culprit so that he can clear his own name and even more than that, he must re-examine whether it is important to be accepted to a society which is based upon corruption, hypocrisy and betrayal.
Woody Harrelson gives quite an amazing performance as Carter as he exhibits the superficiality which we often associate with campy characters (Truman Capote, for one). We first encounter him as he examines the fabrics in a room as we hear several voices in the background. Carter is at home in this visceral world and we are made aware of his eye for detail.
Schrader says he picked Washington as the scene for the film because the town is famous for its hypocrisy and Schrader has written a fine screenplay. The photography is beautiful and the music by Brian Ferry is ideal. The dialog is wonderful with great one liners and the tension is constant. "The Walker" is a well staged thriller that has been highly underrated by critics and public. It is not often that we get to see a performance of the caliber of Harrelson's and the supporting class is excellent as well, especially Lauren Bacall. The development may be slow and boring at times but the strong performances easily overshadow that.
"
"Let me give you a piece of Washington wisdom," Natalie Van
C. O. DeRiemer | San Antonio, Texas, USA | 06/11/2008
(4 out of 5 stars)
""In the end, all you have is your breeding. It's all that separates `them' from `us,'" says Natalie Van Miter, rich, aging doyen of Washington high society.
"My great-grandfather got rich off slavery," says languid, gay, agreeable Carter Page III, escort for powerful women in the nation's capital, who is beginning to have second thoughts, thanks to a murder, about his life. "When the Yankees took that away, my grandfather made his money raisin' tobacco. I don't have any breeding."
"If your great-grandfather were alive today, he'd fit right in," says Natalie, with an affectionate squeeze to Carter's arm.
Car (Woody Harrelson), as his lady friends call him, always meets them for weekly Canasta games at an exclusive Washington club. They dish the gossip about everything and everyone, except about themselves. There's Natalie (Lauren Bacall), acerbic with a smile; Abigail Delorean (Lily Tomlin) the vice president's wife and no fool; and Lynn Lockner (Kristin Scott Thomas), unhappy wife of Senator Larry Lockner, the Senate's minority leader. They all adore Car, who dishes with the best of them. And Car adores them. He's a "walker," an unthreatening, well-bred man who takes wealthy women from place to place when their powerful husbands don't want to go.
Car even escorts Lynn Lockner to her secret weekly assignations with a lover, waiting in the car for her to return an hour or so later. This time, however, Lynn returns in minutes. She found her lover, a financial wheeler-dealer who had been scheduled to testify before a Senate committee, sprawled dead in the man's living room, stab wounds in his chest and, well, lower down. Car decides to protect Lynn, one of his favorite ladies, so he drives her home, returns and then calls the police and says he just found the body.
Carter Page is a man who has lived his life carefully. "I'm not naïve," he says at one point, "I'm superficial." He's never been willing to fully commit to his boyfriend. He uses soft-spoken wit to deflect anything too serious. "How come you're always so polite?" asks Lynn at one point. "It was my mother's answer to chaos and now it's mine," he tells her. He loves being a friend to his powerful, witty, sharply amusing ladies. Before long he's going to find himself the chief suspect in the murder, a target of an obnoxious prosecutor who is delighted to nail Carter with the crime. His boyfriend gets beaten up. Ruthless, political maneuvering in high places leaves him exposed to the elements. In some ways most hurtful, he realizes that his ladies, while still gracious, aren't inclined to play Canasta anymore with him. Even Lynn now is nowhere to be found. "Let me give you a piece of Washington wisdom," Natalie Van Miter tells him. "Never stand between a friend and a firing squad."
The Walker, for the first two-thirds, is a brittle, amusing satire of Washington society and the self-interest that makes it work. The last third, for me, slows down a bit because Paul Schrader, the director, begins to take his view of Washington politics too seriously. There are cracks about the current administration that are a bit old hat. The murderous intent to win at the political game turns from wit to something a little like melodrama. Still, The Walker for the most part is clever, with an unexpected performance by Woody Harrelson as the languid, gay Carter Page III, with a soft Southern accent and a wonderful wig. A couple of critics have said Harrelson was miscast. I don't think so. It just takes a few minutes to accept Harrelson, usually cast as grinning psychos or mentally deficient cowboys, as a tall, good-looking Truman Capote. Carter Page and his predicament with his ladies brings back memories of Capote thinking he was best pals with New York high society queens Babe Paley and Slim Keith, only to be cut dead by them when he dared to print the real dish. Capote proved to be both naïve and superficial (except when it came to his writing). So does Carter Page III until he starts putting the pieces together.
Lauren Bacall, Lily Tomlin and Kristin Scott Thomas are marvelous as Carter's realistic, witty, self-involved friends. They know the real dish; so does Carter; and they delight in sharing with each other. In fact, the movie has a number of first-rate actors, including Willem Dafoe, underused but effective as Lynn Lockner's ambitious husband, Moritz Bleibtreu as Carter's boyfriend and, particularly, Ned Beatty as Vice President Jack Delorean, a smiling, aging politician who is fully prepared to do whatever it takes to gain the advantage over anyone he thinks isn't American enough.
The DVD transfer looks just fine. The only extra of significance is a standard "making of" featurette."
To see Kristen Scott Thomas at her coolest and most determined, watch that singular movie of entomology and incest, Angels & Insects. Lily Tomlin, in my view, is an extraordinary actor, able to combine tart, skeptical intelligence with unexpected warmth. Two of her earlier movies I like a lot are The Late Show and All of Me."
"I Do Need A Dirt Fix"
H. F. Corbin | ATLANTA, GA USA | 06/14/2008
(4 out of 5 stars)
"Written and directed by Paul Schrader ("The Comfort of Strangers," "American Gigolo") "The Walker" stars Woody Harrelson as an openly gay man Carter Page III, the son of a Virginia senator, in contemporary Washington, D. C. who escorts rich, idle women-- Lily Tomlin as Abigail, Kristin Scott Thomas as Lynn and Lauren Bacall as Nathalie-- around the city and plays canasta with them every Wednesday. Mary Beth Hurt, Ned Beatty and Willem Defoe are cast as well.
As we would expect from Mr. Schrader, "The Walker" is a dark film about power and political corruption in the highest levels of government. Reminiscent of Truman Capote, Page, dressed in high fashion double-breasted suits and a toupee, keeps the women laughing with his gossip and campy one-liners ("I need a dirt fix") until a lobbyist is murdered and he suddenly finds himself the chief suspect. His brittle women friends are suddenly not available and he is left with his cat Lancelot, that he confiscated from the dead man,and his boyfriend.
Kristin Scott Thomas gives a fine performance as a senator's wife. Lauren Bacall plays Lauren Bacall, but, hey, she looks great for whatever her age is. Lily Tomlin, although she has a small role, is good as always. Woody Harrelson may have been wonderful on "Cheers" but he is miscast here. For starters, he has a strange Southern accent that at times sounds like he is Marlon Brando in "The Godfather" and at other times like the gay soldier Brando plays in "Reflections in a Golden Eye."
Mr. Schrader has certainly made better movies; but if you are one of his fans, you should see this one too. I'd give it a very low B."