Australia released, PAL/Region 2.4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: French ( Mono ), English ( Subtitles ), WIDESCREEN (1.66:1)... more », SPECIAL FEATURES: Cast/Crew Interview(s), Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter...« less
"One of Truffaut's favorite movies of mine, TWO ENGLISH GIRLS is an adaptation of a novel from Henri-Pierre Roché, the author of "Jules & Jim", a book Truffaut had adapted 10 years before.Two women, one man and the waltz of the misunderstandings and the hesitations dancing between the walls of a love that doesn't dare to speak. The movie features a romantic love story happening a hundred years too late, so, as always in Truffaut movies, the characters are out of focus, they live a virtual passionate love that could fill hundreds of pages of a novel but are doomed to suffer in the trivial reality of the beginning of the XXth century.A superb musical score by Georges Delerue and a Jean-Pierre Léaud lunar as usual should tempt you even if the quality of the DVD presented by Fox Lorber is no more than average.A DVD zone your library."
Excellent film, but flawed DVD
wdanthemanw | 07/28/2001
(3 out of 5 stars)
"Undoubtedly, the film is excellent, though I don't call this a masterpiece (I'm still not sure if the narration is too much in this film). But the DVD... not too bad, but when the box tells you that it is FULLY RESTORED, you should expect more from this. A brief scene (about 1 minute) is deleted. When Anne meets Claude again, it takes quite a few days before Anne takes off her bra and goes to Claude's bed. Their conversation on the bed (in which Anne is shown topless) is missing. Some scenes also turn too dark. If you don't mind these, this is still an OK DVD."
A BEAUTIFUL SENSITIVE MOVIE
ALAIN ROBERT | ST-HUBERT,QUÉBEC | 10/06/2002
(5 out of 5 stars)
"Arguably the director's best movie,LES DEUX ANGLAISES ET LE CONTINENT is both charming and moving.TRUFFAUT always loved stories about love triangles(his own life was like that).It is not surprizing that he added the scenes that were originally missing when the film was first presented in 1971.He was obviously very fond of that movie.JEAN-PIERRE LÉAUD his alter ego from the DOINEL series was miscast to be sure,but it doesn't diminish the quality of the storytelling.A common TRUFFAUT device here is the use of the voice over that comes off perfectly.Very few films have succeeded in presenting the theme of love in all it's cruelty and physical aspects.MURIEL and ANNE the héroines are reminiscent of the BRONTÉ sisters.A good choice for anyone who wants to understand the psychology of women."
Minor Truffaut, minor pleasures
Trevor Willsmer | London, England | 11/15/2004
(3 out of 5 stars)
"The restored 130-minute version of Two English Girls is something of a misfire but not without compensations. For a director who complained about the overly-literary nature of French cinema, his mise-en-scene is very clumsy here, with excessive use of narration not just to fill in gaps but to tell us the characters thoughts and feelings during scenes where, had he done his job properly, we should know. At times it threatens to become a slideshow accompaniment to a book reading.
The plot ambles along directionlessly as Jean-Pierre Leaud's selfish young Frenchman selfishly destroys two sisters' lives without ever finding happiness himself. It's very much fantasy-fulfilment, with the two embodying Madonna and Whore and at times threatens to turn into a distaff Jules et Jim as everyone is oh so civilized about it all. The casting is also problematic. Kika Markham is fine as the free-spirit of sorts, but Stacey Tendeter is less effective as her 'purer' sister and the casting of the minor British roles is haphazard at best - David Markham is fine as a fortune teller, but the next-door neighbour is not exactly a natural actor and one scene features a London Bobby who looks about as English as Raimu on a particularly jowelly day.
It's one of those films that always seems to be on for another hour no matter how far into it you get, and it doesn't reward the effort with more than minor pleasures. But it is nice to see composer Georges Delerue in a small role as an estate agent and for all its clumsiness and overlength it has its moments and a mildly affecting ending. It's just a shame getting there took so long.
The DVD transfer is respectable rather than outstanding, with a gallery of French trailers from most of Truffaut's films."
Truffaut's Best
JamesNYC | New York, NY USA | 06/24/2002
(5 out of 5 stars)
"Truffaut made lots of great movies, and lots of mediocre ones. "Two English Girls" stands out, I think, as his best.
Like "Jules and Jim," this film involves a love triangle, only instead of two men and woman, as the title suggests, this triangle is made up of two women (sisters) and a man named Claude (Jean-Pierre Leaud).
Initially, during an extended stay at the girls home in England, Claude falls in love with Muriel (Stacey Tendeter), but after a period of separation, he decides to "play the field." When Muriel's sister Anne (Kika Markham) moves to Paris, Claude begins a relationship with her, only to find that she can play the field too. Eventually, Claude and Muriel come together for one night, and the experience rekindles Claude's love. But it is not to be. I won't spoil the films ending, but will say that it leaves only the most unsentimental viewers without tears in their eyes.
The films sole flaw is a short part in which Muriel confesses to masturbation in a letter. This detracts from what is otherwise a supremely sensitive and touching film."