Search - Still Bout It on DVD

Not a classic but...

Xavier LEGENDRE | France | 04/26/2004

(4 out of 5 stars)

""still bout it" is not as dark, ruff, and violent as the first one but it's always cool to this all the no limit staff in a film, which there are good acting, action, music. The story isn't very extraordinary but it's fresh."

A Hot Mess!!

Boop | Aiken, South Carolina United States | 06/28/2004

(2 out of 5 stars)

"Laaawwwwdd, what was that I just watched. All that money Master P has and he has to release this low budget movie. The acting was atrocious to no end. Why don't Silkk the Shocker just give up on acting all together as long with his rap game.The two stars were given because the story was good, but the acting just didn't do its justice.I think Master P should know better!!!Later!!!!"

Waste of Time...

Hal Willie Rateit | La Grange Park, IL | 12/03/2004

(1 out of 5 stars)

"I like Master P and all, but, dude can't act! Silk The Shocker can't act! The only reason i gave it 1 star, is because the story was iight, and saying iight, is a stretch, but it was ok for a Master P movie. At times, it seemed they made this movie with a camcorder, i mean the acting was just horrible, i recommend you borrow this movie from someone who already has it, its not worth a dime, and i wouldnt pay a penny for it."

Bout' it Bout' it

William Marquis IV | Jamaica Mon | 05/03/2005

(5 out of 5 stars)

"The least that can be said for Master P's "Still Bout It" is that this production is an overwhelming visual experience, supplemented by an imaginative use of all the divergent elements which go into filmmaking. The most that can be said for this MGM roadshow presentation in Cinerama, filmed in Super Panavision and Metrocolor, is that once again, as so rarely happens in film history, an individual talent -- Master P -- has widened and exalted the art of the film by his vision, dedication and uncompromising creative approach to the medium so often called the "synthesis of all art forms."

"Still Bout It" is indeed beyond description by conventional plot terms and descriptive tradepaper summaries. As the past 10 or 12 years have shown, the old narratives which dominated the film world have given way to themes, techniques and concepts, once the private property of the avant-garde, the experimental films, etc. Whether "Last Year at Marienbad" or "Trans-Europe-Express" from France, or Roger Corman's "The Trip" or Kubrick's "2001," from the U.S., the straightforward story has had it. And the audiences of today, primarily the under-30 group down to the early teens, have shown a great, almost revitalized, interest in movies as they are now being made.

With Arthur C. Clarke's assistance, plus the cooperation of NASA and leading American and British experts in the field of space, science, research and the Academy, Master P was able to create a real science-fiction film, one in which every element will quite possibly be known to man in less than 30 years."