Honestly, this version disappointed me for one reason: it just didn't seem like the characters could love each other. There was no "Chemistry" if you know what I mean. In other versions you can identify with the characters and see why each loved the other.
In this one all they do is talk... and don't really feel.
The only feeling person happens to be the guy who ends up who running off and breaking Marianne's heart.
So in short, this version is not my favorite.
3 of 3 member(s) found this review helpful.
Movie Reviews
A charming, entertaining journey back in time
07/12/2000
(5 out of 5 stars)
"Having seen the praised American version of this novel I was delighted (especially by Emma Thompson ). Sometimes I had a feeling of too much drama in that film. But I had not read this novel for some years, so I did not know why.I read the novel again and realized that film was the American way of showing Jane Austen and her time: the men always riding (like cowboys), an education full of freedom even for girls ( Margret and her hut in the tree ...), rain in every turning point or dramatic situation ....The BBC adaption of this novel tells the story in a more careful, smooth way, true to the novel, few thrilling scenes, but more charming ones. There is time to look at the characters, to feel with them, to see Jane Austen's English humour in some scenes and her feeling for romance. Sometimes I think there are real people on the screen, not heroes. That is one more reason for liking this film as much as the big American movie, or even better. If you want to see Jane Austen brought to life for young people today who need exaggerated feelings to be able to feel and action to find a film worth watching, then switch on the Emma-Thompson-version. If you want to travel back in time and do not want to be rushed into new situations, then watch the BBC production. It is entertaining, touching and teaching in a smooth way. It is holiday for your brain and nerves."
Most faithful and thorough production!
James R Whitcomb | Portland OR | 06/23/2000
(5 out of 5 stars)
"despite the unfortunate removal of Margaret this movie is extremely well acted, and develops more the humor of Marianne's sensibilities as oppose to romanticizing them. Which is what Jane Austen wished to develop. Two most important parts of the plot are here, as opposed to Emma Thompson's disappointing removal of the scenes where Edward visits the Dashwoods for a week and where Willoughby attempts to see Marianne in the middle of the night. I loves those parts so very much, and my heart sank upon realizing that wasn't to occurr in the Thompson version."
Excellent !
James R Whitcomb | 06/08/2004
(4 out of 5 stars)
"I rented this version from my local library and really enjoyed it. Although I liked the movie with Emma Thompson, this version is much more thorough in its adaptation. No Hollywood fluff. The actors were superb and true to the characters in the book."
Praise the BBC. If it 's worth doing, it's worth doing right
Charles Bowman | Elmer, LA. United States | 05/13/2004
(5 out of 5 stars)
"This SENSE AND SENSIBILITY is certainly superior to the earlier version is almost every way. That is not to say that the earlier film did not accomplish what it was attempting. And, if
they were attempting to tell the film world that this literary
classic demanded film, and challenging the BBC to do their very best, then the precursor was brilliantly successful!
This version is wonderful because the great writers knew that character and character almost by itself makes literature and film, for that matter. It takes time to reveal character and
Jane Austen's characters are worth the effort. I remarked to my spouse that the BBC version had time to reveal less important characters like Mrs. Dashwood and the dastardly Dashwoods as well. There was time to reveal Willoughby and those wonderful dialogues between he and Marianne. There was time to feature the heated conversations between the sisters Dashwood. The casting for this movie was wonderful, and I anxiously await other productions with this excellent cast! There was time, too, for the camera to grasp the landscape and the environs for the viewer and they did it lovingly. Nowhere in this film was the action of the literary work abbreviated. The movie moved in its own time, but it faithfully moved in Jane Austen time as well, and it was she after all, who loved that time well enough to capture it for us. Thanks."
"Undervalued, in Some Respects"
Stanley H. Nemeth | Garden Grove, CA United States | 04/14/2008
(4 out of 5 stars)
"Many commentators have duly chastised this 1981 BBC production for being less a film than merely a filmed book, and consequently clumsy in chosen images, while also dull in pacing and rhythm. What works on the written page clearly does not always transfer successfully unless suitable adjustments have been made to the requirements of a different medium. I'd agree that this version of Austen's novel is ultimately one better listened to than watched. At the same time, it has merits lacking in both the Emma Thompson and more recent Andrew Davies versions. Both of these last, for my money, were far too amiable in their vision, so that Jane Austen tends to emerge in them as a gentle-hearted chronicler of Regency order rather than a shrewd, even lethal social satirist.
No less a worthy than E.M.Forster is on record as saying Austen showed him the possibilities of deadly domestic humor. And indeed in "Sense and Sensibility" the bores and mean-spirited types among the country gentry are captured for all time, like insects in amber. This adaptation of the novel is truer than others to Austen's insights here. Dinner parties and card-playing scenes are punctuated by superlatively stupid or just plain snobbish comments from the due recipients of Austen's irony. And Lucy Steele, for instance, emerges not as a potentially sympathetic fiancee of Edward's, but as in the novel a pretty mean inquisitor who adds to Elinor's private sufferings.
The final encounter of Willoughby and Elinor is included here, as in the
Davies version, but the dialogue in this version is truer to the complex moral response of the novel. In Davies, Willoughby remains pretty much just a nasty fellow to a suddenly one-dimensional, priggish Elinor and an unnecessarily appearing Marianne. The Thompson and Davies versions, of course, have their merits, and as films clearly surpass this production in technical aspects. Still, short of rereading the novel, Austen's readers can gain much from this version."