From the director of the infamous German cult classic Nekromantik.Official selection Midnight Movie Madness at the Toronto Film Festival (1994)Lothar Schramm (Florian Koerner von Gustorf) is dying face down in a pool of ... more »his own blood. Behind his closed eyes fractured memories repeat themselves again and again. He runs by the sea. He lusts after the whore (Monika M) across the hall. He staggers through life uncertainly. He kills.Schramm is the story of the notorious Lipstick Killer Lothar Schramm s last days on earth. Revealed in a series of tightly constructed flashbacks the film offers an unflinching look into the mind of a serial killer. Uncompromising in its depictions of violence and perversion Schramm is a poetic masterpiece guaranteed to make you squirm.Special Features include: New 1.33:1 digital transfer mastered from producer Manfred Jelinski s original 16mm negative German language in stereo and mono with new removable English subtitles Full running audio commentary by director J rg Buttgereit and co-author Franz Rodenkirchen Second audio commentary by actors Florian Koerner von Gustorf and Monika M The Making of Schramm 35 minutes of behind-the-scenes footage Mein Papi and Captain Berlin early Buttgereit Super 8 shorts subtitled in English for the first time Die Neue Zeit a music clip from Mutter directed by J rg Buttgereit An extensive gallery of over 100 stills from the collection of J rg Buttgereit and Manfred Jelinski Theatrical trailers for Nekromantik Der Todesking Nekromantik 2 and Schramm Liner notes by J rg Buttgereit and Buttgereit biographer David Kerekes Optimal image quality: RSDL dual-layer edition Much much more!System Requirements:Run Time: 161 minutesFormat: DVD MOVIE Genre: HORROR Rating: NR UPC: 690816601098 Manufacturer No: BEDVD010« less
"It's truly amazing how the times have changed. Over 10 years ago I bought my first two bootleg films, Cannibal Holocaust and Nekromantik. They were poor looking copies at best. Cannibal Holocaust was censored and the subtitles on Nekromantik were to blurry to read. But I was thankful. I swear I was. There was no other way to see such films. Today, we have DVD. Ah, the pleasures of DVD. Everything is being released on DVD. How many of them I can buy for the price of one shoddy looking laserdisc. Young horror fans have it good today, I tells ya. I believe the fine folks at Barrel Entertainment must have come from a similar film-related background. They did a superb almost beyond the call of duty tranfer on their DVD release of Nekromantik and they have done the same with Schramm. Years ago, Film Threat released this and other Buttgereit films on video. The videos looked awful, Schramm being the worst. I am delighted to report that this DVD makes up where Film Threat failed. With the commentaries, interviews, trailers, and short films you the lucky viewer are looking at hours worth of footage for one amazing price. Incidentally those boots cost a lot. I was shocked that the film could look as good as it does. Schramm is a seriously depressing, morbid, and arty portraiture of a serial killer. Buttgereit points out in his commentary that he had never seen a film about serial killers. Just as soon as I thought of Silence of the Lambs he brings up the fact that though Silence... is very good it is more like a commercial for the FBI than a depiction of what life is like for a serial killer. For me, this movie nails the topic on the head (no pun intended). Schramm is not a Hollywood version of madness. The journey into this killers distorted mind is so visual and realistic that I am reminded of Henry (Ray Liotta) introducing the other mobsters in Scorsese's Goodfellas. The point of view camera glides through the bar as Henry introduces everyone. The camera moves so naturally and perfect that you feel like you are there. Buttgereit does the same througout Schramm's 65 minute running time. Not an easy task. I raise my glass to this vile film and to Buttgereit and Barrel Entertaiment."
Into the mind of a serial killer...
Jennifer C. | Houston, TX USA | 05/08/2001
(4 out of 5 stars)
"What a brutal, gory movie - for intense gore fans ONLY. Do not get this DVD if you're the LEAST bit squeamish. Brought to you by Joerg Buttgereit, creator of "Nekromantik", this is a raw, bloody look at a pretty twisted guy named Lothar Schramm. Though the movie itself is relatively short (only a little over an hour), this DVD is packed with goodness - extras aplenty here, folks. I'm rather pleasantly surprised it's even here, as Nekromantik wasn't available here last I checked. In conclusion, if you think you can handle the rather disturbing subject matter of the film, by all means, grab this baby while you can... it'll be worth your money."
"*Please note this low budget German art house film is just over an hour long.*
SCHRAAM is a quiet young man who lives alone in his apartment - his neighbour is a prostitute who accidentally helps fixates his fantasies (a pension for obscene sexual allure to inanimate objects) who decides to go on a violent killing spree. The film plays backwards in that in the opening sequence we learn that the `Lipstick Killer', Schraam, has been found dead in his home and everything plays backwards out from there.
SCHRAAM has to be probably one of the most upsetting experiences you will have watching an art house film. To be honest "Irreversible" made me cringe, "Last House on the Left" uncut was pretty heavy going, "Man Bites Dog" was a contemporary media play on snuff and even the awful "I Spit on Your Grave" had its shocking moments, but SCHRAAM manages to surpass them all by just delivering on your most hair raising nightmares at the worse possible time by cutting in minutes of slow tracking bliss suddenly followed up on by an unprecedented in your face sledgehammer of a horrific sequence, but never seems sleazy or gratuitous or goes outside of its art house appeal.
SCHRAAM is like "Begotten", the director's own "Nekromantik 1 + 2", Michael Haneke's "Funny Games" or Gaspar Noé "I Stand Alone" in that the concept of Hollywood horror is as far away as you can likely get and the budget so restricted that you could ultimately make a film like this if you had some fake blood and a nice 16mm camera. What makes SCHRAAM interesting is that there are a number of highly imaginative sequences done in this 1993 production that have been used in more modern productions, like Schraam's workout rotating camera sequence or the jump cuts that are now all too common in art house cinema.
SCHRAAM is actually banned in most places around the globe, although to be honest you have seen much more objectionable than this and it is arguable that films such as "Last House on the Left" and the awful "I Spit on Your Grave" are much more sinister in their presentation of the subject matter. SCHRAAM never deviates from trying to show this killer for what he is, sad, never glorifying what he does, murder, but filming it in such a way that it cuts you like a knife. The hammer and nails scene with a genital is certainly going to fling a lot of hands up to the eyes.
A very interesting art house serial killer movie than beats the pants off most offerings."
Compulsive and Repulsive!
Mr. Stuart Chandler | 08/10/2002
(5 out of 5 stars)
"Buttgereit, infamous for 'Nekromantik', delivers us a poetic masterpiece and a hideous journey into the mind of Lothar Schramm, the Lipstick killer. It is a brutal and intriguing display and details many fascinating characters in abstract flashback. This is what real extreme cinema is all about.As usual, Buttgereit delivers images full of visceral insanity, so gory and vicious that unless you're familiar with either his works or those of his peers, this little piece might be a bit much. Barrel Entertainment have done an incredible job, the print is almost perfect and the extras tantilising (commentaries, trailers and a special 'making of'). Sad to see that this one is becoming increasingly difficult to get hold of - buy this one now, while you still can."
Vulgar, Disgusting, and Disturbing.
Joshua Miller | Coeur d'Alene,ID | 11/19/2006
(4 out of 5 stars)
""Schramm" is a movie that got my attention in a video store, both with the cover and the back cover that exclaimed that it was similar to Henry: Portrait of a Serial Killer, one of my favorite horror films. If you've seen Henry, you realize that there's actually a pretty big restraint on blood and gore. It's existent, but it's not that bad. The movie used atmosphere and Michael Rooker's performance to creep you out. Schramm goes up another level on that. In Schramm you get a no holds barred look at the life of a serial killer... And it's all done in 64 minutes, which makes it kind of impressive. This movie also is probably the truest account of what goes on behind a serial killers' door. Movies about serial killers show that they kill and, sometimes, why. But few films show the really dirty things about serial killers. This film gives us the self-mutilation, necrophilia, and sexual deviancy. The movie is in German and I got to praise the Germans for making a movie like this. I don't think an American director would touch this kind of material with a ten-foot pole. And if he did, he'd tone it down a lot. I, regrettably, don't remember the main characters name...But I know this. The movie begins with a newspaper headline that explains that the Lipstick Killer has died. He is, of course, our aforementioned killer. The movie works its way back from that. The prostitute that lives across the hall from him, whom he's actually good friends with, sets something off in his head that makes him begin to kill. In the movie, the body count is pretty low...But this is still very gory. One scene which is bound to make men who watch this cringe, involve the guy taking his d**k and pounding nails through it. There's also one of the most interesting and unique ideas I've seen. A disembodied vag**a with teeth. The movie suffers from a disjointed timeline. The movie's about an insane serial killer...But the look of the movie implies it's about a schizophrenic serial killer. The grainy, old movieish look the film has, however, also helps with the creepiness. This is not a "good" movie, but it's effective and does something that other movies about serial killers should do (instead of crap like Dahmer, Ted Bundy, Gacy, etc.). If you want to see a movie that frequently has you asking yourself "What the f**k?" This is a good movie for you.