Romantic drama combines with humor, starpower combines with lavish spectacle and the walls come tumbling down! This Academy Award?-winning* extravanganza's street-splitting, brick-cascading, fire-raging recreation of the c... more »ataclysmic earthquake remains "one of the greatest action sequences in the history of the cinema, rivalling the chariot race in both Ben-Hurs" (Adrian Turner, Time Out Film Guide). Clark Gable plays rakish Barbary Coast kingpin Blackie Norton. Jeanette MacDonald portrays a singer torn by her love for Blackie and her need to succeed among the operagoing elite. Earning the first of nine career Best Actor Oscar? nominations,* Spencer Tracy is a priest who supplements spiritual advice with a mean right hook. He urges Blackie to change. But if love and religion can't reform Blackie, Mother Nature will.« less
""San Francisco", MGM's 'Showcase' film of 1936, demonstrates why no other studio could 'touch' Metro at it's prime. Take the biggest star in Hollywood, team him with the 'Queen' of 1930s MGM musicals, add the greatest film actor of a generation in support, then top things off with a 'no-expense-spared' recreation of the most famous earthquake in American history, and an instant Classic was born!
Seventy years later, the film has lost little of it's luster; certainly the 'Message' is a bit heavy-handed, the long opera sequences may make some viewers cringe, and some of the effects (involving double exposures) seem quaint in an era of CGI...but Clark Gable still projects his signature cockiness and virility, Jeanette MacDonald is still radiant (and can sure belt out "San Francisco"), and Spencer Tracy is still magnificent (it is easy to see why he received a 'Best Actor' nomination, in what was obviously a supporting role; he easily steals the film, in every scene he's in).
Directed by the remarkable W.S. ('Woody') Van Dyke, a consummate craftsman, and one of MGM's fastest directors (contradictory terms, but he combined speed and style, effortlessly), with a screenplay, surprisingly, by future "Gentlemen Prefer Blondes" author, Anita Loos (from a story by Robert Hopkins), "San Francisco" exudes confidence, from the riotously decadent New Year's Eve, 1905, opening scene, to the finale, as Gable, MacDonald, Tracy, and, apparently, most of the survivors of the earthquake and fire march to a hilltop, vowing to build a 'better' city, and singing "The Battle Hymn of the Republic", as they view the smoking ruins, which dissolves into the 'modern' San Francisco of 1936.
Corny? Certainly! But undeniably rousing, as well!
The 'Special Features' are excellent, as well; the TNT documentary, "Tall, Dark, and Handsome: Clark Gable", while glossing over some 'seamier' chapters of Gable's life, does offer insights by the daughter he secretly fathered by Loretta Young, and the son he died before ever seeing...and the biography is VASTLY superior to the one offered in the "Gone with the Wind" Special Edition. An 'alternate ending' is barely different from the actual one, other than offering more views of the city, but the 1936 MGM cartoon ("Bottles") is astonishingly well-crafted and gorgeous in Technicolor, and two Technicolor 'TravelTalk' short features, from 1940, on San Francisco, and Treasure Island, at the time of the 1939-40 World Exposition, are both very entertaining and a visual 'time machine' back to a simpler era.
This is a wonderful DVD, certainly worth owning!"
THIS REALLY DESERVE A "6"
Henning Sebastian Jahre | Oslo, Norway | 07/12/2004
(5 out of 5 stars)
"Now this is what all-timers must have meant when they snapped "they don`t make`m like that anymore!".
MGM`s San Francisco offers us star names, good plot and dialogue, superb photography, special effects, scenary(Cedric Gibbons), sound(Douglas Shearer, brother of Norma), music, song.... The Hollywood of 2day should look back and really learn that you just can`t throw in spcial-effects, PRAY - a n d have hope for a good movie. The Day After Tomorrow is great, but sadly lacking star names like in this 1. Today - more often - the effects are the stars... It didn`t use 2 be like that(The Poseidon Adventure, Earthquake, The Towering Inferno to name but a few)...I name SAN FRANCISCO(with Mutiny on the Bounty), the best MGM b&w melodrama of the 30s... 20th Century-Fox made "IN OLD CHICAGO" 1937 but as with the MGM musical.... NO ONE COULD TOP METRO-GOLDWYN-MAYER AT THEIR ZENITH."
MGM`s GREAT DRAMA/DISASTER/MUSICAL/ROMANCE EPIC
Benjamin J Burgraff | 12/10/1998
(5 out of 5 stars)
"From the mid 20s till the mid 50s, METRO-GOLDWYN MAYER(MGM) boasted they had more stars than there are in the heaven. MGM was the first studio to release a film with more than two stars(it was in 1932 - the Academy Award winning GRAND HOTEL starring Garbo, Beery, Crawford and Lionel Barrymore). SAN FRANCISCO proved to be one of the finest that ever came out of Hollywood. 3 Stars; Clark Gable, Jeanette MacDonald and Spencer Tracy; strong story containing drama, music, song, romance A N D disaster; set decorations by Cedric Gibbons, special effects that has never dated, realistic scenes from ol`Frisco, though everything was shot in the MGM studios at Culver City. SAN FRANCISCO is a film that will never lose its appeal because of all these ingredients. This film is a MUST-SEE. One of the best that was ever made."
My absolute favourite film!!!
Henning Sebastian Jahre | 07/17/2003
(5 out of 5 stars)
"Ok, all you grizzlers who criticize Jeanette's vocal contributions to this film - you watch a MacDonald film, and you know the lady's going to sing! And does she sing! I remember seeing this film years ago in an Adelaide cinema, and when she hit the high E-flat at the end of "Sempre libera" from "La Traviata", a lady behind me gasped, "Oh, my God!" Then as the audience onstage burst into applause, so too did the audience in the cinema. There was also applause from the audience at the very end of the film - and heaps of teary eyes! I can't criticize a thing about this film; I've watched it dozens of times, and never tire of it. When I'm about to die, I know I'll still rate it as my favourite film of all time. If I could give it more than 5 stars, I would. There - is that glowing enough???"
Memorable film treatment from MGM at its peak
Simon Davis | 01/07/2003
(4 out of 5 stars)
""San Francisco" is the epitome of excellent 1930's filmaking at its best. Boasting a rousing story scripted by Anita Loos, crackling direction by the prolific W.S. Van Dyke (a director unfairly neglected in Hollywood history), and beautiful costumes and sets, the film is most justly famous because of the unforgettable special effects depicting the famous San Francisco earthquake of 1906. These sequences have gone down in Hollywood folklore as possibly the finest of their kind ever created.The film offers a top notch cast in Clark Gable as Blackie Norton the rough around the edges entrepeneur in the dance hall area of the Barbary Coast, Spencer Tracy in the first of his famous priest roles as the caring Father Tim Mullin, a childhood friend of Blackie's, and last but not least Jeanette McDonald as Mary Blake the singing sensational torn between her strict upbringing and her love for Blackie. They make a memorable trio of performers in their only film together. Gable and Tracy would go on to make two more films together, "Test Pilot" and "Boom Town". Despite it being well known that Gable and McDonald did not get along during shooting they combine well in their acting depite their very different personalities. Spencer Tracy is on screen for less time than is desirable and certainly his father Tim is not as well written a character as the priest he played so wonderfully 2 years later in the classic "Boy's Town". Tracy always had a way with no frills sympathetic characters and he brings conviction and feeling to his role as the self appointed protector of Mary in Blackie's world of dancing girls, card sharps and crooked deals. Gable apparently was very reluctant to undertake his part which in some ways could be classified as a "typical Clark Gable role" however I feel he delivers a wonderfully rounded performance as the heel without a heart who learns about what is important from the person he never thought he would fall in love with in a dozen lifetimes. Many people have commented on the apparent lack of chemistry between Gable and McDonald on screen but I feel that opposites can attract and the two make a most welcome and refreshingly different type of team to Gable's usual pairings with leading ladies such as Jean Harlow or Joan Crawford. The film was a definite showcase for Jeanette McDonald's vocal talents and indeed she was the one that campaigned to get Gable as her leading man. She was then in the middle of her successful teamings with Nelson Eddy and was anxious to work with other leading men on the MGM lot. Her musical numbers at times do tend to slow down the progression of the story but they are beautifuly staged and her voice has never been in finer form. Gifted designer Adrian's stunning costumes for the Mary Blake character are both historically well researched and beautiful to look at and no expense is spared in creating truly breathtaking outfits for one of the Queens of MGM in the mid 30's.No review or mention of "San Francisco" could be made without a special nod going to the amazing special effects that were created for the famed earthquake scenes near the end of the film. Almost every technician on the MGM lot was involved in the huge undertaking that involved the filming of the earthquake sequences. The sight of tall buildings collapsing, street lights shaking, streets opening up and whole walls falling on people are superbly recreated and even now have a frightening look about them. Never in this era of film making have they ever been surpassed and they still hold up against all the technology now available to filmmakers. Nominated for a number of Academy Awards the film was an outstanding success and MGM's biggest moneymaker of 1936.Rousing entertainment is what you get in "San Francisco" and it is always a pleasure to watch as it displays the expertise that a major studio like MGM possessed at its peak in the golden era of the 1930's. Known for its perfectionist approach to all aspects of filmmaking here MGM excelled itself and created a memorable classic that has stood the test of time and will surely continue to amaze film watchers with its spectacle for generations to come."