Based on a true historical event, "Samurai Assassin" stars Mifune Toshiro (Seven Samurai, Yojimbo) in one of his greatest roles. Niiro Tsuruchiyo is a masterless samurai - a ronin - desperate for a last chance to gain a po... more »sition with one of the great houses. To curry favor, he joins an assassination plot against a Shogunate Elder« less
Toshiro Mifune in a film based on the Saurada Gate incident
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 03/04/2003
(5 out of 5 stars)
""Samurai Assassin" is based on a historical event in 1860 when a group of assassins waited by Saurada Gate inside Edo castle to assassinate the lord of the House of Il, who is high up in the ruling Tokugawa Shogunate. This is a Japan on the verge of major changes, represented by the American ships in the harbor. However, the assassins think one of them is a traitor. The main suspects are Tsuruchiyo Niino (Toshirô Mifune), a ronin who wants to become a samurai so that his unknown father will declare himself, and Kurihara Einosuke (Keiju Kobayashi) a high-born samurai who strikes up a friendship with Niino.
As the characters are developed the tension builds as the assassins wait day after day for their prey. The fact that he is staying inside is taken to mean that there is a traitor in their midst and as the tension builds as we realize there is more at stake here that the assassination of a high official of the Shogunate. We also learn as the Tokugawa Shogunate begins to move towards its point of crisis that both sides have the same goal but believe in decidedly different ways of protecting Japan from the influence of the foreigners who are knocking on the door (in terms of reference points this is a whole lot closer to the musical "Pacific Overtures" than the movie "The Last Samurai"). The conclusion takes place in a world of falling snow that lends an unearthly beauty to the bloody carnage, filmed in glorious black & white Tohoscope by Hiroshi Murai (was Quentin Tarantino inspired for the duel between the Bride and O-Ren Ishi in "Kill Bill, Volume 1"? You decide).
This 1965 film offers a nice mix between the historical samurai films of the Fifties (e.g., "The 47 Ronin") and Chan-Bara bloodbaths of the late Sixties (e.g., the "Lone Wolf and Cub" films). It is not so much a true marriage of the two traditions but more beginning in the one approach and ending more decidedly in the other. The film is two hours long but this is not really a concern because of the brisk pacing by director Kihachi Okamoto and the increasing complexity of the story. Of course in front of the camera is Mifune's riveting performance and because of his presence alone we know that his character cannot be a minor player in what is to happen.
"Samurai Assassin" is a film that should appeal to fans of diverse genres of samurai films. I certainly appreciate the sense of history and the detailed narrative that is created, because for me the sword play and the blood-letting always ends up being secondary considerations. The significance of a person's death matters more than the creative way in which they are sliced and diced by the samurai hero. However, "Samurai Assassin" also ends with the sort of irony that is usually found in a Greek tragedy, which is not usually the case with Japanese samurai films."
A powerful film with very contemporary themes
Stephen Gibbons | 07/29/1999
(5 out of 5 stars)
"The film, set in the mid-1800's plays out a Greek tragedy through a Japanese lens. The film's basic story of a young man who is denied knowledge of his father's identity, rebels by joining a gang (of ronin), murders his best friend in order to maintain the trust of the gang leader, and ends up, unknowingly, committing one of the most horrific of crimes is amazingly contemporary. The ending is bloody, but the imagined aftermath is more powerful than any fight scene. Mifume and co-stars are excellent. This is a film I could have imagined Mifume and Kurosawa collaborating on."
Fantastic Samurai Film
Stephen Gibbons | Hamilton, Ontario Canada | 04/26/2005
(5 out of 5 stars)
"This B&W masterpiece chronicles the events of late Febraury and early March 1860, the beginning of the fall of the samurai. Toshiro Mifune stars as Niiro, a rumpled samurai looking for employment with a repsectable house, who ends up involved in a plot to assassinate the leader of the Ii clan. Beautifully filmed, the backstory unfolds slowly, emphasizing character over hack-and-slash action. Tension builds nicely throughout, leading to the climactic and bloody battle on a snowy field, where Niiro seeks to make his mark. He does indeed, but not how he had intended.Anyone familiar with Mifune's collaborations with Akira Kurosawa will know what to expect here, as Mifune is completely gripping as the ultimately doomed hero. Fans of samurai action and classic Japanese filmmaking will love this."
Toshiro Mifune in a fantastic film.
Mark Judge | Azle, Tx United States | 11/25/2001
(5 out of 5 stars)
"This a wonderful movie with an intricate plot and storytelling. Not only is Toshiro Mifune great in this film but so is the rest of the cast. Great film work and an excellently filmed sword battle scene as a finale. This ranks as one of the top samurai films I have seen. A must see for anyone who doesn't mind following subtitles. The plot in this movie gets involved so you have to pay attention. It isn't hard to do though because this is a gripping powerful movie."
NOT Lone Wolf and His Cub, Go Elsewhere for Them
Mark Judge | 06/10/2001
(5 out of 5 stars)
"AnimEigo, the primary outlet for Japanese animation has dug up a series of wonderful 1960s and 70s swordfight films. Most of the American viewers seem to know only Lone Wolf and His Cub, but this series has unearthed unexpected gems such as LADY SNOWBLOOD, RED LION and SAMURAI ASSASSIN, with remarkably pristine prints, widescreen presentation and extremely well-done subtitles (which come in dual colors of yellow and green to indicate ongoing conversations)which actually take care to explain historical backgrounds of these feudal dramas. SAMURAI ASSASSIN, penned by Hashimoto Shinobu, co-screenwriter of all of Kurosawa-Mifune Toshiro collaborations (except for RED BEARD)and the author of the incredible HARAKIRI, may well be the best period piece directed by Okamoto Kihachi, a John Sturges/Robert Aldrich of Japan. Mifune Toshiro plays a masterless samurai who wants to make it big by joining a band of Loyalist assassins, plotting to kill the arch-conservative Shogunate official, Ii Naosuke, circa 1860. Hashimoto and Okamoto portrays Mifune's character as a tragic anti-hero, and the band of assassins, who in real history are given the status of heroic figures comparable to the patriots in the American Revolution, are depicted here as political terrorists of the worst sort, led by a serpentine conspirator, who is the very personification of cold-blooded calculation. (Supremely played by Ito Yunosuke) SAMURAI ASSASSIN is actually a complicated political thriller and you wouldn't enjoy it at all if you don't like following subtitles closely. Those who are expecting body parts flying and blood gushing every five minutes will be sorely disappointed. However, because of the tight storytelling, when the violence does come it is jolting, savage and tragic. The very last sequence, as assassins rushing to attack Ii's palanquin and entourage as snowstorm rages, is one of the most incredible swordfight scenes ever filmed, and the last, insane, triumphant soliloquy of Mifune will remain etched in your memory. I do wish this excellent movie gets released in DVD (AnimEigo apparently will discontinue the release of non-animation output on VHS format) but I also hope that AnimEigo, Home Visions or some other specialty agencies release all of Okamoto's non-samurai films, including his outrageous, controversial and madly entertaining DESPERADO OUTPOST films."