Randal A. (Movieran) from SATELLITE BCH, FL Reviewed on 2/9/2010...
A god story - John Malkovich never lets you down. Action and intrigue from the very beginning to the end.
Movie Reviews
Fun and games among the sociopathic elite
Charles S. Houser | Binghamton, NY | 04/28/2004
(4 out of 5 stars)
"Patricia Highsmith's Tom Ripley is a true sociopath and Malkovich plays him chillingly. Although I had trouble understanding the basic scam that seems to be driving the plot of this movie, I have a hunch it is not really significant anyway. The movie seems to be primarily a metaphor for modern (postmodern?) life and the seduction of an honest (but weak and dying) man by evil. Dougray Scott plays the "innocent" party. His moral struggle and agony is constantly displayed on his face. It is hard to imagine how he as an actor could produce all this intense emotion when he is getting nothing but deadpan understatement from Malkovich. But their partnership on the screen is truly eerie. And the stony coldness of the Berlin setting (with its unforgetable associations with nazi evil) only adds to the general atmosphere of creepiness. Although I don't know if his line comes from Highsmith's novel, it does seem consistent with the existential aura in which she casts her killers to have Scott's character (at his most distraught) ask Ripley, "Why me? Why did you choose me?" Ripley's answer would have done Camus proud.It's hard to picture Malkovich as the elder version of Matt Damon's Ripley (from The Talented Mr. Ripley). There is no sense of Ripley as the romantically disappointed lost soul committing murders in spite of his earnest desire to be socially accepted. Malkovich "thrives" socially--has a wife (or lover), and even enjoys harpsicord music. It's just not clear what he "gets" from all his success. That, to me, is the definition of a sociopath.DVD extras can only be accessed via computer/internet."
Superb psychological thriller
Steven Reynolds | Sydney, Australia | 01/02/2004
(4 out of 5 stars)
"Twice as enjoyable as "The Talented Mr. Ripley", and probably shot for a tenth of the price, this later installment in the Ripley saga can happily dispense with the coming-of-age angst and crank up the mature Ripley's violent menace. Living a quiet life in a villa near Venice, Ripley is called upon by an old partner to arrange an assassination. After some consideration he proposes a total innocent for the dangerous task - a local picture framer against whom Ripley has a grudge. Ripley also knows the man is terminally ill and will need money to provide for his wife and son. He looks to be a suitable pawn but, of course, not everything goes as planned . . . John Malkovich brings a chilling and seductive elegance to the role of Ripley which Matt Damon could never provide. It's essential here, because what's important about this story is Ripley's utter amorality and dangerous vanity, and how both traits lead him into a situation in which his self-conception is ultimately challenged. The screenplay has just the right mix of psychological sophistication and edge-of-your-seat plotting, and Liliana Cavani's assured (and occasionally bloodthirsty) direction makes the most of it. In the excellent cast, Ray Winstone is particularly memorable as Ripley's violently inept offsider, Reeves."
Murder amidst sophistication arttistically done
Larry VanDeSande | Mason, Michigan United States | 12/28/2006
(4 out of 5 stars)
"Insults lead to bad tidings in "Ripley's Game", an Italian production that contrasts high art with everyday murder and thievery and effectively pulls off this dichotomy. John Malkovich stars as Ripley, a self-described "talented improvisor" that lives like a prince in an Italian estate thanks to his mischevious nature. His lifestyle as killer and art thief supports his girlfriend's high falutin' keyboard career in addition to his own very prosperous lifestyle.
When a 9-to-5 married picture framer unknowingly insults Ripley during a party, he sets up the schnook through lowlife partner Ray Winstone -- an earthy foil to Malkovich's refined character -- and he is soon knee deep in an enterprise of murder and mayhem that monumentally disrupts life for his lovely wife and young son. This, Ripley suggests, is "the game."
Soon the picture framer -- who is driven to murder by greed and his own cancer -- is led into a deepening morass of killing and greed where Ripley is both antagonist and protagonist. The action is carried out with worldliness, humor and subtlety, all very European. In the end it is never clear who wins or loses and which is really the bad guy. Almost everyone besides Ripley loses something, proving he is master of his own game.
My favorite John Malkovich movie was filmed in Italy and Germany. Ennio Morricone's alternately minimalist and lyrical score adds dimension to the mystery. This is a rewarding flick for anyone that likes mystery, murder and good filmmaking with a few plot twists. There are enough unexpected turns -- watch for Malkovich to exit a train's restroom at a critical juncture -- that the movie never gets boring."
Superb Psychological Drama....Malkovich is the Devil Incarna
The Jaundiced Eye | Texas, USA | 09/19/2005
(5 out of 5 stars)
"The highest praise I can give to any movie is that, while watching it, I begin to dread the fact that it will end. I found this story to be THAT enjoyable....and then some.
The lead character, Ripley, is presented as a well-aged version of the sociopathic con artist played by Matt Damon in "The Talented Mr. Ripley". As played by the inimitable John Malkovich, this older, wiser Ripley is infinitely more sophisticated, sly, treacherous, and fascinating. He lives in a wonderful Italian villa with a gorgeous wife/mistress who knows and embraces his true nature. When publicly insulted by a neighbor, played by Dougray Scott, he initiates a plot to gain revenge, ultimately turning the innocent man into a hired killer who is then tortured by his own conscience....a punishment that could never affect the consciousless, sociopathic Mr. Ripley.
Malkovich is a unique actor, never content to merely show up and speak his lines convincingly, he actually BECOMES the character...and every devilish smile, lick of the lips, flash of anger, etc. becomes an expressive action by the character, not by the actor. He is so completely suited to this role that it is impossible to envision anyone else playing the part.
The dialog is wonderful....complex, intellectually stimulating, and natural. Indeed, some of the comments on the nature (and absence) of conscience and guilt achieve the level of fine literature. Conversations are generally riveting, the humor is generally very dark, and the suspense reaches Hitchcockian levels. As the Scott character, who is dying of leukemia, sinks deeper and deeper into the depravity of his hapless plight, he actually begins to seek, rather than fear, death.
This is a very sophisticated, emotionally involving story that will appeal strongly to mature viewers. It never received the attention it deserved, and ranks among the best of the "undiscovered" movies. I give it my highest recommendation."
Highsmith's Ripley Plays His Game
Diana F. Von Behren | Kenner, LA USA | 05/03/2004
(4 out of 5 stars)
"Although I enjoyed the film version of 'the Talented Mr. Ripley with Matt Damon in the lead, John Malkovich's portrayal of an older more desensitized Ripley captures the essence of the Highsmith character more accurately. Bravo Mr. Malkovich! WHile Damon's Ripley ponders over his crimes with a sense of regret fueled by his need for love, Highsmith's and Malkovich's Ripley is too amoral to care. And while in this story, the third of the Ripley quintet, we do encounter a slight bit of conscience and perhaps a tad of regret as Tom maliciously involves a dying man in an assasination simply because he was overheard insulting him, we see Ripley in all his unsavory glory, taking control of situations with the swift precision of the sharpest meat cleaver.
The plot pretty much follows Hishsmith's novel; a slight change of venue from France to Italy and the substitution of an Italian wife rather a French one for Ripley does not change the opulent backdrop depicting the spoils resulting from Tom's doggedness to live a life of good taste and extravagent wealth.
If you are a fan of the Highsmith novels, I recommend this as a must-see. If you are not acquainted with the books, do become so---get to know Tom's malignant audacity and then check out Malkovich's rather on target portrayal. Would love to see Malkovich as Ripley in 'Ripley Goes Underground' where his art deal scam is explained more thoroughly."