Search - Parenthood on DVD

Will have you alternately laughing and crying!

Joe Comer | Robinson, IL United States | 02/08/2000

(5 out of 5 stars)

"Steve Martin is top billed in this film and he is excellent but the rest of the cast is just as good. This movie is actually divided into four separate parts-four different branch off's of the same family (the father, his kids and their families)-that allows this fine ensemble to portray all the ups and downs of family life. It is a film that teaches without preaching and it's lesson is clearly understood: in life, you can't have the peaks without the valleys. And because of it every character comes to stark realizations about themselves and their relationships with other people. All the characters, that is, except the one played by Tom Hulce. But even that character is correctly written; it just simply isn't the right time for him to realize.The interactions between the father (Jason Robards) and his two sons (Hulce and Martin) tell us much about all three characters' past, present and future. Unfortunately there isn't any interaction between the father and the two daughters, played by Martha Plimpton and Dianne Wiest, but with so many characters to deal with and so many ties to bind, there simply wasn't time. But the time the writers have is well spent indeed. Lowell Ganz and Babaloo Mandel have taken a very basic idea and expanded on it in a realistic and original way. It's no wonder that all the characters are tied together so perfectly in the end.Ron Howard has taken that script and directed these tremendous performers to superlative work. Very seldom have any of them been better. Martin shines in an everyman IT'S A WONDERFUL LIFE portrayal of the father of three and the second oldest child of the four earlier mentioned. Not since ROXANNE had he given a performance of such range and depth. Dianne Wiest as his older sister won another Oscar nomination and is just as good as she was in HANNAH AND HER SISTERS. Martha Plimpton as the next oldest child is fine as a mother torn between her high-tech-education-supporter-husband (Moranis, his best work since LITTLE SHOP OF HORRORS) and her young childhood deprived daughter. Tom Hulce is the youngest of Jason Robards' four kids and has the toughest role to play. He wasn't given the one-liners the others have. His character isn't likeable. His father obviously favors him at first, which is hard for the rest of the family as well as the audience to understand. But he portrays the character as it should be played-a wanderer with unstoppable dreams who is also to be pitied. Robards' portrayal of the father is one of his best and should have garnered him another Oscar nomination. Through Robards' father character we see how his kids turned out the way they did. And we see him growing and learning as he finds you CAN teach an old dog new tricks. Joaquin Phoenix, here billed as Leaf (River's kid brother as Wiest's youngest) and Helen Shaw as Grandma, the matriarch of the family are also excellent. Keanu Reeves (Wiest's son-in-law) and Mary Steenburgen (Martin's wife) round out the cast beautifully. Randy Newman's score is perfect and the song "I Love to See You Smile" is very infectious.Pulling everything together for a production is not an easy thing. When you couple that with the fact that in this movie, comedy and drama are blended together seemlessly, Howard and his cast and crew have created a true treasure. Being a perfect parent is not easy. Being a perfect person is impossible. If you are anything less, see this movie."

Warm-Hearted Look at the Realities & Comedies of Family.

mirasreviews | McLean, VA USA | 08/31/2004

(5 out of 5 stars)

"Personal experience with the changes that children brought to their lives inspired director Ron Howard and writers Lowell Ganz and Babaloo Madel to write this comic take on the challenges of family. Steve Martin plays Gil Buckman, a good-humored husband and father whose dissatisfaction with his own childhood makes him try all the harder to ensure the happiness and success of his own children, as his extended family struggles with their own offspring. Gil, his sisters' families and the elder Buckman's, his parents, try to find the "right" thing to do for their children while dealing with the demands of spouses, life's ill-timed inconveniences, their own aspirations, and each other.



"Parenthood" is a laugh-out-loud look at the perils and rewards of family. Everyone will recognize someone they know in the imperfect children, crazy relatives, and inevitable dysfunctional family member. The film's charm is its familiarity. And it's nice to see characters that don't react to every disappointment by trying to control everyone involved. The cast is wonderful. Gil, the earnest, lovable, and slightly neurotic father, is the perfect role for Steve Martin. In notable supporting roles, Jason Robards is suitably cantankerous as the family patriarch, and Keanu Reeves is affable as a flakey boyfriend. "Parenthood" is funny, realistic, and a great stress-reliever for anyone who has had it up to the gills with family.



The DVD: Bonus features include "Production Notes", which is an essay about the inspiration and creation of the film, and "Cast and Filmmakers", which provides written bios of the director and principal cast. Subtitles are available in Spanish, captioning in English. And dubbing is available in French."

Ron Howard's best and funniest

Alejandra Vernon | Long Beach, California | 05/29/2000

(5 out of 5 stars)

""Parenthood" boasts of one of the best casts ever assembled. The writing is sharp and witty, the editing perfect, and the acting superb. My favorites are the always amazing Dianne Wiest, who's comedic timing is flawless, a young and lovable Keanu Reeves, and Helen Shaw, who plays "Grandma". This is a comedy that endures because it has a great big heart."

Stands the test of time

Jonathan Sabin | Ellenton, FL USA | 11/13/2004

(5 out of 5 stars)

"I just watched "Parenthood" again for the umpteenth time, and it still carries an emotional wallop.



The film revolves around several generations of the Buchman family, and though they might, in some other films be considered 'dysfunctional,' in this movie their pitfalls are simply offered as a slice of real life.



The family patriarch is Frank Buchman (Jason Robards). Among his four children are Gil (Steve Martin), a modestly-successful though rather tightly-wound businessman with three children of his own... one of whom is a fragile eight-year-old boy who frequently breaks into hysterics --whether because he dropped a fly-ball and lost a baseball game for the team, or was simply terrified when the house blew a fuse.



Buchman's other son is a complete loser and manipulator named Larry (Tom Hulce), who shows up for a family dinner after (we learn) an absence of some three-plus years. Larry carries some serious baggage, including, but not limited to a gang of mobsters who are quite interested in being paid back for a rather substantial gambling debt.



Buchman's two daughters include Helen (Diane Wiest), whose own daughter played by Martha Plimpton is a high-school girl dating a house painter-cum-drag racer (Keanu Reeves), and whose 12-year-old son Gary (Leaf -now, Joaquin- Phoenix) has withdrawn into himself and his padlocked room. Buchman's other daughter Susan is married to Nathan (Rick Moranis), a PhD of some sort who turns every waking moment and event into an educational opportunity for their four-year-old daughter --a girl who consequently has no capacity to relate to other four-year-olds, but who evidently has memorized the periodic table of elements, and understands words like "pragmatic."



One of the most priceless characters is "Grandma" (apparently, though never actually stated to be Jason Robards' mother). A sweet, and perceptive woman, nothing fazes her... including a scene where a hidden cache of porno flics is discovered. As she's led out of the room by her daughter, we hear her comment: "One of those young men reminded me of your grandfather!"



Grandma's monologue on rollercoasters and merry-go-rounds (and how they are an analogue for life), is one of the best moments in film... not just in THIS film, but one of the best moments in film, period. I have seen the movie easily over a dozen times, and it still slays me every time she starts to speak.



Parenthood is not to be missed."