Larry Lapinsky (Lenny Baker) is a young man seeking fame and discovering independence in Paul Mazursky's bittersweet comedy set in the 1950's. His mother (Shelley Winters) is distraught when he leaves his traditional famil... more »y home in Brooklyn and moves to bohemian Greenwich Vilage. As a struggling actor, he gets entangled with a group of free spirits, discovers adult romance and, hardest of all, copes with his overbearing Jewish mother.« less
Had some interesting moments but alot of it bored me, hence, 120X FF. You will enjoy a young Christopher Walken and Jeffery Goldblum in though.
Michel D. (michelann) from WALNUT GROVE, MO Reviewed on 8/22/2020...
I requested this DVD for one reason... Paul Mazursky! He writes and directs this fine film with his usual expertise and talent. Early in the careers of Christopher Walken and Jeff Goldblum, this fun filled romp in the borough of Greenwich Village follows "wanna be" actors struggling with life.
1 of 1 member(s) found this review helpful.
Movie Reviews
A Little-Known Masterpiece
Thomas Ross (tross@wested.org) | San Francisco | 10/11/1999
(5 out of 5 stars)
"This is an autobiographical film by Mazursky featuring young, then unknown New York actors like Christopher Walken, Jeff Goldblum, and Bill Murray, and it gives us one of Shelly Winter's best performances (it's unforgettable). Greenwich Village in the 50s, the Bohemian era with its cafes, rent parties, and blossoming sexual freedoms. Lenny Baker promised to be our own Jean-Paul Belmondo--he died young--and this is his best performance: sensible, yearning, funny, and blossoming with talent and ambition, he catches it perfectly. The remaining cast is surprisingly powerful, and the mood that Mazursky catches is memorable: freedom and youth, humor and youthful hypocrisy in an era cracking at the seams to reinvent the world and still have it all."
Overlooked gem.
Rocco Dormarunno | Brooklyn, NY | 07/06/2004
(5 out of 5 stars)
"It's hard to explain the lack of public response to this charming comedy in 1976. Perhaps because it was released when all cities, especially New York City, were having such hard times. Or maybe it was the casting of mostly unknowns that sank it.For whatever reason, Paul Mazursky's NEXT STOP GREENWICH VILLAGE is a classic movie about youthful ambition, betrayal, tragedy, and never-ending surplus of hope. While most directors ultimately wind up knee-deep in schlock when making a movie about their youths, Mazursky keeps his focus on honesty. There's an integrity in his examination of these young characters, as they support and/or abuse each other in pursuit of their aspirations. The performances are sparklers. The late Lenny Baker contributes just the right amounts of comedy, self-doubt and, ultimately, self-confidence the role demands. And, as others have mentioned, Shelley Winters is totally priceless! NEXT STOP GREENWICH VILLAGE should be your next purchase.PS--When will the dvd version come out?"
"The Mother Behind The Throne"
Stanley H. Nemeth | Garden Grove, CA United States | 07/21/2002
(5 out of 5 stars)
"This early Paul Mazursky film could well be his finest achievement. Wonderfully mixing irony and affection, it examines bohemian New York in the 50's, its scenes generously filled with the assorted types - from fragile to vicious - who then flocked to Greenwich Village, seeking personal freedom and frequently a career in the arts. Mazursky's knowledge of that time and place is unerring; the pubs, the street life and the character types he presents are accurately, hilariously and, often, movingly drawn. From the frequenters of the San Remo to the Brando imitators at the Actor's Studio, he recreates the aspiring young people of a time long since gone but still fresh in the memories of some persons who were part of it.
A nostalgic invocation of the past, however, is not the film's sole or even chief strength. That honor goes instead to the amazing part of the actor hero's mother brilliantly portrayed by Shelley Winters, clearly in the role of her career. She is the Jewish Mother On Film for all time. Not just a stereotypical devotee of the classic formula - control guilt feelings and you control the child - she is also, surprisingly and freshly, herself a frustrated artist. When she weeps over the radio singing of Jussi Bjorling, vowing to hear him in person at the Met, or unconventionally jitterbugs, mad glint in her eye, with a black gay guy at a Greenwich Village party she crashes, we feel affection for her despite her cluelessness and manipulations. Hers is an unfulfilled life in Brooklyn, for she's bursting with an artist's energy which has no outlet. This becomes the ground of her aspiring actor son's and then our eventual respect and affection for her despite her meddling as the would-be power behind the son's throne. "Next Stop Greenwich Village," all told, is a film of considerable distinction, and it deserves to be far better known."
Get Off At Christopher Street & Experience This Film...
Music & Movie Luver | Hollywood, Florida USA | 04/01/2006
(5 out of 5 stars)
"This is a bittersweet film about family, leaving "the nest", friendships, dreams, hope, & finding yourself. A young man from Brooklyn leaves home to become an actor in 1950's Greenwich Village. The late Lenny Baker is very good as Larry Lapinsky & Ellen Green is wonderful as his girlfriend. The quirky characters & situations around them add an ambiance to this movie that makes you believe it was filmed in the 1950's, & not the 70's, when it was actually made. A lot of attention was paid to detail & it shows. Shelly Winters is loud, obnoxious, funny & convincing as the typical Jewish mother (I love the scene when she shows up at his apartment with a chicken). This movie makes you wish you could jump into the film & sit with these characters, have coffee with them, ride the subway, go to one of Larry's rent parties, & experience the progressive, offbeat world of New York's Greenwich Village in the 1950's."
A few anachronisms
Bradley F. Smith | Miami Beach, FL | 12/15/2008
(3 out of 5 stars)
"The Dave Brubeck music tracks backing the action were recorded long after 1953 when this film was set, as any jazz fan will immediately notice. And the street light poles are circa 1970s. Still, there's something warmly effective about this NYC period piece, even if Shelly Winters gets on your nerves as the Jewish mother. It's fun seeing 1976 New York set-dressed to look 20 years younger. The Caffe Reggio hasn't changed, though, even today. A little dated, overall, but worth the watch, as any Mazursky film usually is."