Matt B. from GETZVILLE, NY
Reviewed on 9/14/2011...
Upon the death of her father, Ruth must return to the old homestead for the reading of the will. She brings her fiancée, a doctor, to meet her uncle, who is confined to a wheelchair. We understand why she fears returning home. Her father died no apparent causes. Although the housekeeper is nice if morose as she sneaks around the house, her son gives off an unstable vibe. Worst of all, kept in the basement is an ape (in fact, it’s a chimp – it’s a low budget movie) that detests Ruth out of jealousy. The ape, it seems, is part of experiments conducted by the late father.
They are driven to the creepy manse by the comic relief Exodus, whose real name per the credits is Sleep N Eat (sic) who was black comedian Willie Best. In one scene, Exodus reports a resemblance between his relative and the movie’s chimpanzee. Heaven knows, I make allowances for unabashed era of a less knowing era, but this is over the top even for me.
The prejudice mars what’s otherwise a tolerable movie for such a shoestring budget. Mischa Auer plays the son in a myriad of creepy ways. Thousand yard stare. Odd teeth. Lumbering gait. Furious, vengeance-filled vibes. Big hands. Playing on the violin out of tune lullabyes. Auer - who was a good actor - stands in contrast to the other players. They deliver the dialogue is stiff, mock portentous way that brings to mind the stage – the high school play stage. At only an hour long, it was just as entertaining as a couple of installments of One Step Beyond.