Paralyzed from the waist down due to a war injury, Sir Clifford Chatterley (Shane Briant) urges his wife, Constance (Sylvia Kristel), to take a lover to satisfy her physical needs. But when she begins an intense affair wi... more »th a man of shockingly lower class the virile and rugged gamekeeper Mellors (Nicholas Clay) the unexpected stirring of passions will rock not only their marriage, but all of society as well.« less
A classic with Sylvia Kristel shining in her younger days!
Movie Reviews
This one was a long time coming...
jon sieruga | Redlands, CA USA | 05/20/2005
(3 out of 5 stars)
"A mainstay on HBO around 1982-83, "Lady Chatterly's Lover" is a soft-core romance, but not a sleazy one. It wasn't successful in theaters, maybe because nobody knew what audience it was targeted to (surely not literature addicts or art-house filmgoers; maybe Sylvia Kristel/"Emmanuelle" fans). Consequently, it was popular on cable and video, where viewing privacy can elicit whatever reactions necessary (mostly giggles). It isn't very well-made, but the acting is decent and the passion is convincing. The editing is sloppy, with some sequences, and the ending, cut short, but it does have a few steamy scenes, frisky nudity, and good location filming."
Lady Chatterley's Lover
Thomas Randleman | Ohio | 10/08/2005
(5 out of 5 stars)
"One of the most important elements of this film is the sense of real life sensibilities it captures. The qualities of longing and frustration are beautifully captured by Sylvia Crystal as Lady Chatterley, the wife of a dashing but complex husband played by Shane Briant with combinations of bravado and self centeredness beneath a handsome figure who is logged into his class background and behavior patterns allowing little room for natural love and responsiveness. While Lady Chatterley holds firmly at first to her devotion to her husband she cannot withstand the raw sensuality of Nicholas Clay as the gardner on the estate. Nicholas Clay likes to show his butt and I am reminded of another film, "Evil Under The Sun" where he tittilates the viewer with his rather voluptuous posterior while walking on the beach. This aside, he more than captures the "real world" personality of his class and attitudes juxtaposed with Lord Chatterley's strict upperclass ones. I felt the "eye brows" of Lord Chatterley were a bit "over stated" in make up and this had the effect giving him a drama queen demeanor and somehow a little "campy." But all in all I thoroughly enjoyed the film for its showing nudity where nudity seemed perfectly called for without teasing and overly gauzy effects which is sometimes such a bore . Maybe the film is not what one would call a "religious experience" but why should all films be that anyway. It is beautifully filmed and the production values are first rate and it makes a sometimes complicated story line believable without too much contempt for the viewer, especially with D. H. Lawrence's reputation. Above all I felt it captured the anguish and fear which contibute to decisions that drastically alter the people that make them.
And I like looking a Nicholas Clay's butt."
THE "B" SIDE
Martin Boucher | Montreal, Canada | 08/09/2005
(4 out of 5 stars)
"This 1981 (not '82 as suggested) film adaptation of the D. H. Lawrence classic is an enjoyable B-ride if only for its panoramic scenery of foggy London and the sexually engaging performances of its stars. Indeed, Sylvia Kristel (Emmanuelle) and the late Nicholas Clay (Excalibur) bring nothing but skin to their characters of an unlikely duo engaging in a torrid affair. Over an ultra-syrupy score (by Richard Harvey and Stanley Myers), and a well use of camera work by Robert Fraisse, the two go at it with all their splendor, leaving nothing to the imagination except to wonder if the movie would have been better had a talented cast been involved. Since it isn't but remains enjoyable despite its flaws, this LADY CHATTERLEY'S LOVER is superficial enough to be camp classic material, which is, as we all know, an important factor for lovers of such films.-----Martin Boucher"
Nicely done.
Sam I am | brunswick, Md | 12/13/2007
(5 out of 5 stars)
"I am a D.H. Lawrence fan, but I purposely didn't re-read the book just before seeing this, because I wanted to judge the film on its own merits. I was a bit unsure about the role being handed to Sylvia Kristel, but she showed she's more than just Emmanuelle eye candy; she can actually act, and the movie comes across very well as literature-with-small-L as well as erotica. Highly recommended."
Loving Lady Chatterley's Lover
B26354 | Atlanta, GA | 05/22/2009
(5 out of 5 stars)
"Lady Chatterley's Lover ranks up there as one of the most erotic films about true romantic love ever made. Nicholas Clay as Mellors and the stunning Sylvia Kristel as Connie are perfectly matched in this highly charged love story of a woman, whose aristocratic, whiny, insufferable and sadistic husband becomes paralyzed after serving in WWI (even after that it's still impossible to find sympathy for this stuffy clod) who finds lust and love with the estate's gamekeeper, played brilliantly by the late Nicholas Clay (tragically, he died of cancer in 2000 at the young age of 53). Clay was arguably one of the most exquisite men to ever grace the silver screen and reveals all to us in this movie (and I am so grateful he does because everything he has is shockingly gorgeous - I rented this movie and after seeing the first scene with him in it I think I cleared the couch in one leap to get to my PC to buy this movie from Amazon). Well-acted with an intense intimacy that most of us will never experience because we are too frightened of it, we are able to feel it all here and drink it in with reckless abandon and without being afraid. Wonderful, lush 1920s period costuming and bucolic English countryside with a Vaughn Williams-esque music score draw you into the story of these lovers, and left me wanting more. From their first spontaneous, lustful encounter (I think my legs actually went numb when I first watched it) to their eventual "courtship," I was engrossed. This story gives me hope that real love between two people, no matter their background or socioeconomic status, does truly exist.
Connie changes because of her interaction with Mellors, and so finds true intimacy with an at first unlikely partner, and the superficial things that once seemed important to her melt away and no longer matter. She discovers who she is through her relationship with him, whereas Mellors already knows who he is. She can truly be herself around Mellors, so it is not surprising that he is a much better match for her than her rich, prissy husband. Mellors is the representation of what I consider to be an example of true masculinity: Clay's remarkable portrayal shows the unbearable pain of falling in love with someone who can only partially commit; he is physically strong and powerful, but shows remorse and disgust after being forced by Connie's husband to beat up poachers he caught on the grounds. He goes from cradling a baby chick in his hands to comforting her to decorating her hair with flowers, to making wild passionate love to her inside the secluded work shed, or in the woods against a tree out of sight from the main house. The searing contrast of Clay and Kristel's fully clothed and writhing bodies on the dirty floor of the work shed as they are overcome with lust and passion for each other will be forever burned in my mind. It is a certainty that Clay was underrated as an actor, and it would have been nice to see him in more leading roles over the years, but I am grateful that he will be forever immortalized in the great film work he did accomplish, such as in this film, Evil Under The Sun, Lovespell, and Excalibur. I highly recommend them all."