One day, on a whim, Marc decides to shave off the mustache he?s worn all of his adult life. He waits patiently for his wife?s reaction, but neither she nor his friends seem to notice. Stranger still, when he finally tells ... more »them, they all insist he never had a mustache. Is Marc going mad? Is he the victim of some elaborate conspiracy? Or has something in the world?s order gone terribly awry? "an intriguing study of identity, marriage and madness" ? Steven Rea, Philadelphia Inquirer"La Moustache," the first feature by novelist Emmanuel Carrere, begins as a comedy, but grows darker and darker by the frame. It's like a Hitchcock thriller filtered through the mind of Austrian firebrand Michael Haneke, who gave us Caché (Hidden)." ? V.A. Musetto, New York Post« less
Kendra M. (KendraM) from NASHVILLE, TN Reviewed on 1/13/2008...
This is an absolutely incredible film. Just wonderful.
I read the book a couple of years ago and recently re-read it. As I looked it up, I found a film had been made-- I didn't know about it-- so I immediately purchased a copy.
If you haven't read the book, you must. And, this time, reading the book first is probably a good choice.
I'm baffled that some seem to think the ending was unclear. I think it was very clear. However, I don't want to include any spoilers here. It's exactly as it seems to be. Exactly. So, if you're confused and looking for a hidden meaning, you won't find one. It's exactly as the main character understands it to be at the very end.
The movie starts out with Marc asking his wife, Agnes, if he should shave his mustache. He does, and she doesn't notice. As a matter of fact, nobody notices. When he confronts his wife and friends, they insist that he has not had a mustache for at least 15 years. Obviously, somebody is either lying or going crazy. He is suspicious of his wife and friends for quite a while, but then begins to believe that they are indeed telling the truth, and he is somewhat removed from reality. Again, however, he starts distrusting his wife, since strangers recognize his mustache in older pictures.
Who is telling the truth? Who is insane? The film begins with us clearly seeing Marc's mustache. We also clearly see the hairs he trims, the hairs he washes away in the tub, and the hairs he washes away in his shaving tray. We watch him complete his entire shaving ritual-- first using shaving scissors, then an old-fashioned razor. We see everything through Marc's eyes. We meet his Serge and his wife. We hear Agnes talk about going to Marc's parents for lunch. What is real and what isn't?
Both Vincent Lindon and Emmanuelle Devos do a perfect job here. There isn't constant chatter or dialogue and nuances are delivered through subtle expression. They are both so wonderful-- Lindon in particular.
This movie is not about middle aged angst and it's not about a marriage falling apart. And, this is not a comedy by any stretch of the imagination, although, like life, there might be some time you find yourself laughing a bit-- but it's due to the absurdity of the situation and the empathy the characters inspire.
The music is gorgeous and the cinematography beautiful. This is very much recommended.
Note: The ending here is different from the book. The book's ending is a stunner. When I was finished, I just sat there wide-eyed-- not believing what I just finished reading. I re-read the last few pages because it was so unbelievably shocking.
That ending definitely wouldn't have worked here. At the end of the film, I was almost praying I wouldn't have to see what I read in the book. It might have worked visually, but I doubted that it would. Carrere made the right choice here when deciding to change the ending. Again, if you read the book, you wouldn't wonder at all who was right all along or if one of the characters were truly crazy. There is no ambiguity in the book. However, there's no ambiguity here, either. It just hits you with a half a ton of bricks rather than a full ton. Just make sure you realize that the main character understands the truth at the end, and you will understand, too.
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Movie Reviews
Descent into madness? Maybe yes, maybe no.
Kendra | 01/09/2008
(5 out of 5 stars)
"This is an absolutely incredible film. Just wonderful.
I read the book a couple of years ago and recently re-read it. As I looked it up, I found a film had been made-- I didn't know about it-- so I immediately purchased a copy.
If you haven't read the book, you must. And, this time, reading the book first is probably a good choice.
I'm baffled that some seem to think the ending was unclear. I think it was very clear. However, I don't want to include any spoilers here. It's exactly as it seems to be. Exactly. So, if you're confused and looking for a hidden meaning, you won't find one. It's exactly as the main character understands it to be at the very end.
The movie starts out with Marc asking his wife, Agnes, if he should shave his mustache. He does, and she doesn't notice. As a matter of fact, nobody notices. When he confronts his wife and friends, they insist that he has not had a mustache for at least 15 years. Obviously, somebody is either lying or going crazy. He is suspicious of his wife and friends for quite a while, but then begins to believe that they are indeed telling the truth, and he is somewhat removed from reality. Again, however, he starts distrusting his wife, since strangers recognize his mustache in older pictures.
Who is telling the truth? Who is insane? The film begins with us clearly seeing Marc's mustache. We also clearly see the hairs he trims, the hairs he washes away in the tub, and the hairs he washes away in his shaving tray. We watch him complete his entire shaving ritual-- first using shaving scissors, then an old-fashioned razor. We see everything through Marc's eyes. We meet his Serge and his wife. We hear Agnes talk about going to Marc's parents for lunch. What is real and what isn't?
Both Vincent Lindon and Emmanuelle Devos do a perfect job here. There isn't constant chatter or dialogue and nuances are delivered through subtle expression. They are both so wonderful-- Lindon in particular.
This movie is not about middle aged angst and it's not about a marriage falling apart nor is it about a man entering a 15 year time warp. It also is not a comedy by any stretch of the imagination-- although, like life, there might be some time you find yourself laughing a bit-- but it's due to the absurdity of the situation and the empathy the characters inspire.
The music is gorgeous and the cinematography beautiful. This is very much recommended.
Note: The ending here is different from the book. The book's ending is a stunner. When I was finished, I just sat there wide-eyed-- not believing what I just finished reading. I re-read the last few pages because it was so unbelievably shocking.
That ending definitely wouldn't have worked here. At the end of the film, I was almost praying I wouldn't have to see what I read in the book. It might have worked visually, but I doubted that it would. Carrere made the right choice here when deciding to change the ending. Again, if you read the book, you wouldn't wonder at all who was right all along or if one of the characters were truly crazy. There is no ambiguity in the book. However, there's no ambiguity here, either. It just hits you with a half a ton of bricks rather than a full ton. And, that's not criticism-- a half ton still knocks you over. Just make sure you realize that the main character understands the truth at the end, and you will understand, too.
"
"NOTICE ANYTHING DIFFERENT ?"
Robin Simmons | Palm Springs area, CA United States | 01/15/2007
(4 out of 5 stars)
"A man shaves his "moustache" and his his wife -- or are they lovers? -- insists he never had one. And then things get really strange. Is someone messing with his mind? Or vice versa?
Up to the end, I loved this funny (at first) and finally disturbing French film that slyly forces you to shift the paradigm you think you're in.
How fragile our shimmering realities if some little thing fractures our bubble.
How ephemeral our identities that are held together by nothing more than fleeting reflections of self.
If you're fond of French films like Caché and Lemming, this one is a tasty treat up to a point.
But be warned that no matter how glued you might be to the unfolding Hitchcockian twists, the final ending is a HUGE, FRUSTRATING DISAPPOINTMENT. In fact, it made me angry to be so unsatisfied. There's such a thing too much trimming and editing to achieve some kind of minimalist existential French ambiance. The end of a movie should not leave the viewer scratching his head and muttering "Quoi?""
Engrossing AND satisfying.
C. Maxwell | In the South, USA | 10/11/2008
(4 out of 5 stars)
"I seem to be among an apparently small group of people who did not find the ending a huge disappointment. I don't think I expected for a moment that in the end everything would wrap itself up nicely and all would be revealed. Don't look so hard to find the answers; it is quite simple. Once he had let his beard grow in and his moustache returned, his life and love as he knew it before shaving the moustache returned. As soon as it was gone, reality as he knew it was gone. Once it returned, his reality caught up to him. The ending "twist" as it were, to me, is which reality was waiting when his eyes opened at the very end, after re-shaving. In the beginning she says she would not know him without it. In Hong Kong, she says she'd be curious to see him without it. The question that remains is whether his reality is based on the moustache's existence alone, or his wife's perception of the moustache's existence. Superb acting throughout!"
Handsome, But Not Clean-Cut
R. Schultz | Chicago | 06/17/2007
(3 out of 5 stars)
"The cover of this DVD misleads when it likens its drama to Hitchcock's work. There is actually nothing approaching a Hitchcock level of suspense here. However, the viewer is kept intellectually guessing, ping-ponging back and forth at least through the first part of the film, wondering, "Did the man have a moustache, or didn't he? Is he gaslighting his wife, or is she gaslighting him?"
Like the French language itself, there are so many letters of explanation in this film that don't get pronounced, but that inform the pronunciation of other letters in the words. Director Emmanuel Carrere refers to "ghosts" whose presence is felt, trailing the characters' lives. However again, none of this rises to the level of suspense.
Most of the value of this movie lies in its view of a marriage. This is an adult relationship, different from the kind we see in most American films where one spouse (usually the woman) is shown as mere adjunct to the man's answering call to action. Here both partners are given gravity and tenderness and extension.
Actor Vincent Lindon is especially good at showing a longing bafflement. He doesn't undermine his performance by distancing himself from his character as many Americans might when called upon to play a man who isn't conforming to all gender stereotypes. Here Lindon is unflinching as a man who is not interested in football and who gets lost, almost waif-like, in what might be the complexities of his own imagining.
There's a good director/producer commentary on this DVD, pointing out the ground from which some of the film's mists arise. But this isn't the movie for anyone who demands clear plot or resolution. In fact, the film is almost gratuitously devoid of explanations. But you might feel invited to fill in the tantalizing blanks yourself, to suit your own view.
"
The Drudgery of Shaving
MICHAEL ACUNA | Southern California United States | 09/29/2006
(5 out of 5 stars)
"Marc (an unsettling, often whacked-out performance by Vincent Lindon) and his wife Agnes (quietly sane but maybe conniving, maybe not Emmanuelle Devos) are getting ready for an evening out with Agnes' ex-husband Serge (Mathieu Amalric) and his new wife. As a joke Marc shaves off his moustache while bathing and of course, naturally expects Agnes, Serge and the next day his fellow workers and the man at the Espresso stand to notice. But no one does. In fact, Agnes tells him he never had a moustache though Marc finds photos from a trip to Bali with Agnes...moustache squarely on his upper lip. The photos disappear before Marc can show them to Agnes and when he asks her about them, she has no recollection of a trip to Bali. And so it goes.
Director Emmanuel Carrere, who also wrote the screenplay based upon his novel has fashioned an enigmatic though thoroughly fascinating film: What is Really Going On Here? "La Moustache" never really answers that question: nothing is spelled out, made crystal clear. Is it about the complacency that sets in between partners after a few years: a complacency in which they fail to notice any kind of small change in or on each other? Maybe.
Directed and written by men, "La Moustache" has a lot to do with Men's hatred of the drudgery of shaving daily...Marc quits shaving for an extended period of time and never appears happier. It's not surprising that the Men's Fashion Industry pushes the unshaven look as a desirable, virile, macho look: we are all open to anything that saves us from shaving daily.
At times perplexing, confusing, witty yet always intelligent, "La Moustache" never fails to hold your interest...though you will be hard pressed to say what it all means. And maybe that is the point.