Jeeves is the ultimate gentleman's gentleman, a silent, cerebral and engagingly protective butler with a steadfast dedication to his master. Wooster is the classic British young man of means, blessed with a touch too gener... more »ous a heart and a slight deficit in the noggin department. Their adventures together, chronicled in P. G. Wodehouse's classic tales, have charmed generations of readers. And the TV adaptations of these enchanting stories, starring Hugh Laurie (Black Adder, Sense and Sensibility) and Stephen Fry (Wilde, Cold Comfort Farm) won dedicated audiences on both sides of the Atlantic. The acclaimed JEEVES & WOOSTER programs have finally come to DVD. This eagerly anticipated set includes these exquisite escapades: Return to New York
Frederick Altamont Cornwallis | United States | 02/06/2003
(3 out of 5 stars)
"The first three seasons were great. Clive Exton did a superb job of adapting the original Wodehouse stories for television, weaving separate tales together so seamlessly that if you hadn't read them first, you'd have a hard time telling what had been changed. Inexplicably, the fourth season is a complete departure from what came before. The first three episodes are, for some reason, set in America, but are very loosely based on stories set in England. I watched them all, hoping they would get better, but it was not to be. There was a great deal of scene padding (multiple scenes of Bertie frolicking at the Hotsy Totsy Club, for instance), as well as the genuinely uninspired comic creations of Mr. Exton. I will grant that, due to the sheer number of Wodehouse's writings, I may well have missed a few Jeeves tales along the way, but if turns out that Wodehouse actually put Bertie and Jeeves in a lifeboat and sent them on an eight month long voyage around the globe, well, I'm dashed.After watching the first DVD, I hesitated with the second. Eventually I did break down, however, and I'm glad I did. The last three episodes find young Bertram back in his native land, and the result is enjoyable. Again, the stories were based on old favorites intermixed with ones I did not recognise. Again, it could simply be that I have missed a few over the years. Whatever the case, I did enjoy the last three shows. So to sum up, if you buy this one, set your drink on the first disc and pop the second in your player, put your feet up, and enjoy. If you want more Wodehouse for your money, however, order "Wodehouse Playhouse" Season One. It's from 1975, is made up mostly of Mr. Mulliner stories, and for ...(at present) it's a much better value."
One season too far
Michael Hendry | Philadelphia, PA USA | 06/18/2002
(2 out of 5 stars)
"Fry and Laurie are probably one of the greatest modern comedy teams. The first three seasons captured the Wodehouse spirit wonderfully. This season, the writers/director thought they were funnier than P. G. and decided to re-write his stories. The result is embarrassing and painful to watch. If you are dying for your J & W fix, re-watch one of the earlier seasons and save yourself the pain."
Plum must be turning in his grave!
Eve Starr | San Antonio, TX United States | 04/30/2002
(2 out of 5 stars)
"Unlike the first three seasons, which were nothing short of brilliant, this season seems to have lost the Wodehouse touch. The absolute low point was a madcap chase up the Empire State Building; both Bertie and Jeeves were completely out of character. I got through the set just once and re-sold it almost immediately. I highly recommend the first three sets, but if you're a Wodehouse purist, pass on this fiasco."
Perfect or not, it's hilarious
Robin Wolfson | Cameron Park, CA USA | 01/27/2005
(5 out of 5 stars)
"Okay, I agree. I don't remember reading about Bertie and Jeeves in a lifeboat rowing across the Atlantic and Pacific Oceans, but at that point in the episode ("Bridegroom Wanted"), who cares? It's worth it just for the Jeeves's line: "If you will remember sir, that narrow passage of water that you insisted was the Serpentine turned out to be the Panama Canal." So like them.
And, of course, the classic moment in which Bertie is trying to explain a supposedly hypothetical example involving characters A and B and "some other fellow, what shall we call him?" Jeeves: "C, sir?" Bertie: "Well, all right, I suppose Caesar is as good a name as any."
Unlike the previous episodes, this series seems to have much more slapstick humor, all pushed politely to the background. It's an attempt (and, I think, a successful one) to convey the physical stuff that Wodehouse alludes to, such as Stinker Pinker being reminded "Try not to fall over the furniture." It could be just me, but I thought it worked well.
There's a slight disappointment in losing some of the actors who had played characters in the earlier series, but the new ones certainly do just as well. All in all, deliciously Wodehousian. Highly recommended."
Right ho!
E. A Solinas | MD USA | 05/23/2006
(4 out of 5 stars)
"The fourth season of "Jeeves and Wooster" has the same problem as the third -- half of it takes place in America, and these are probably the weakest of the series. But the series has a solid finale as the pair return to England, and several romantic subplots are wrapped up for good.
Bertie "Returns to New York" and the comforts of the more laid-back America, only to have Aunt Agatha and his prodigal cousins Claude and Eustace turn up. Unfortunately, the cousins only pretend to leave for South Africa, because both are now madly in love with a nightclub singer. To make matters worse, Bertie has to help his pal Tuppy win back a high-strung girlfriend.
"The Once and Future Ex" Florence Craye comes to New York, and shows an uncomfortable interest in Bertie. That doesn't sit well with her violence fiancee Stilton Cheesewright, a cop bent on enforcing Prohibition. Unfortunately when the two break up, Florence gets her claws into Bertie, and her cold-hearted American cousin begins blackmailing him. Can Jeeves save the day at a costume party?
"Bridegroom, Wanted" when Bertie's first ex-fiancee Honoria Glossop arrives in New York, determined to marry somebody -- even Bertie. Bertie tries to enlist a starlet to pretend to be his fiancee, but it backfires when the girl's agent insists he marry her for real. Bertie's only means of escape? A round-the-world escape with Jeeves!
But he can't escape his exes even when he gets back to England. "The Delayed Arrival" causes problems when Bertie accidentally breaks up Stilton and Florence. To make matters worse, Aunt Dahlia's magazine is for sale, and Jeeves has to impersonate an American lady novelist to impress a potential buyer. The problem is, Stilton finds Jeeves-in-drag maddeningly attractive...
"Trouble at Totleigh Towers" starts when Madeleine becomes a vegetarian, and says Gussie has to be too. The problem is, it makes him grumpy, and it's putting a strain on their engagement -- especially since he is falling in love with the chief. And the Machievellian Stiffy Byng blackmails poor Bertie into stealing an African totem from her uncle, believing that there's a curse on it.
"The Ties that Bind" begin to choke people when Bertie arrives at Totleigh Towers, thinking that Florence and Madeleine are safely engaged. Unfortunately when local politics go awry, Roderick Spode decides to run for office -- and Madeleine breaks their engagement. Now Bertie is engaged to two horrible women at once... unless Jeeves can save him from a fate worse than death.
It's hard to wrap up such a scattered series, but the fourth season of "Jeeves and Wooster" manages to do a good job. The first few episodes are the weakest of the entire series, since it seems like the scriptwriters simply didn't know what to do when Bertie and Jeeves are cornered.
But after that, things get wild and hilarious, with both our heroes in (ugly) drag and more mad antics at Totleigh Towers. And though Jeeves always saves the day, whether by blackmail or masks, the explosive finale is an absolute stunner. Exploding baptismal fonts, kangaroos, and a stolen book of scandals are just a few of the things that turn up.
The cast is STILL in flux, since Sir Roderick, Aunt Agatha, Florence and Stiffy all undergo cast changes again. Some are good, some are bad. But the vacant-eyed and helium-voiced Madeleine, painfully hearty Honoria and the violent ex-Nazi Roderick Spode are the same as always. And Hugh Laurie and Stephen Fry are, as always, wonderfully funny as the hapless aristocrat and his brainy manservant.
While the first half is rather weak compared to the rest of the series, the last half makes up for this. And while it's sad to see the hilarity end, Season Four is a fitting finale to a wonderful comedy series."