WE JAM ECONO - THE STORY OF THE MINUTEMEN is the acclaimed feature-length documentary on the too-brief life of one of the most revered, intriguing, and inspired American bands ever. At the heart of their story is the immea... more »surable personal and musical bond between bassist Mike Watt and singer and guiatrist D. Boon. Childhood friends, their unbridled creativity and political views were the foundation of this groundbreaking band which refused to be categorized as Punk. The film weaves together personal tales from Watt and drummer George Hurley with archival interview footage of the band and rare live performances. New interviews with over 50 musicians, artists, journalists, and friends help tell the Minutemen story, from their humble beginnings in the harbor town of San Pedro, California, to the tragic 1985 death of D. Boon in a highway accident in the Arizona desert.« less
Genres:Music Video & Concerts, Documentary Sub-Genres:Pop, Rock & Roll, Other Music, Documentary Studio:Plexifilm Format:DVD - Color - Subtitled DVD Release Date: 06/27/2006 Original Release Date: 01/01/2006 Theatrical Release Date: 01/01/2006 Release Year: 2006 Run Time: 1hr 31min Screens: Color Number of Discs: 2 SwapaDVD Credits: 2 Total Copies: 0 Members Wishing: 7 MPAA Rating: NR (Not Rated) Languages:English Subtitles:English, French
A fine effort, eclipsed only by the brilliance of its subjec
Paul Romano | San Francisco | 09/07/2006
(5 out of 5 stars)
"I really like these DVDs, and highly recommend them to both fans of the Minutemen and those curious about these acknowledged pathbreakers in punk/indie music.
To be sure, a number of the criticisms noted by other reviewers are on the mark. For example, there are possibly too many commenters; a large number pop up for one relatively un-illuminating comment (e.g., how great a drummer Hurley is, how funny a dancer Boon was, etc.). It would have been nice to have more sustained commentary from fewer commenters, but that's not a major fault.
And I'll agree that this isn't a highly polished effort, like the Clash documentary WESTWAY TO THE WORLD, or the Pistols documentary THE FILTH & THE FURY, but then I somehow don't think that would be appropriate for the Minutemen. These were working men, not art students. Fashion wasn't real big on their list of concerns; passion was.
And it's true; D.Boon's death is not dwelt upon at length. I think it would have been at a minimum redundant to do so, and possibly in bad taste. I think the filmmakers handle it with a deft and light touch that does not in any diminish the impact. For anyone who knows the band, of course, D.Boon's death hangs over the preceeding years of the story anyway. You dread getting to that inevitable part of the story. The filmmakers do not invite you to wallow in emotions; they allow you to breathe. I appreciate not being treated like a Spielberg fan.
I cannot fathom the reviewer who felt that Mike Watt was unemotional; I had the distinct impression that he was on the verge of tears at least three times in the segments that appear in the main documentary. My heart went out to him and George all over again, just the way it did when I first heard about D.Boon's death all those years ago.
Overall, I think the documentary succeeds in its basic aims - to tell the story of the band, to try to get across what made them so special out of all the bands in the American punk milieu, to explore the personal, social, & historical contexts out of which the band members (esp. Boon & Watt) emerged, and to show the extraordinary power of the band live.
You come away from the documentary (which is only the main draw to this generous package) understanding how these guys were able to achieve so much, including writing one of the greatest love songs I've ever heard, albeit not a romantic or erotic one ("History Lesson Pt. 2"). You will appreciate anew their extraordinary musicianship, their work ethic, and their down-to-earth approachability. I vividly remember chatting with them after an incendiary gig they played with Husker Du, Meat Puppets, Saccharine Trust, & Swa in San Jose in '84 - they were truly interested in talking to their fans).
The extras are great - the 3 videos are great to have, and the footage of the 3 live shows is just precious beyond words. I saw the Minutemen live 5 or 6 times from 1980 to 1984 and they were always at least good. They poured everything they had out on the stage - I think it was something like a moral obligation for them to do that for their audiences.
Buy this and be reminded of what can be achieved by 3 lowly 'corndogs', and how simple it can be to be decent, human, humane, dedicated, and fearless. I miss them. RIP D.Boon, and long life and best wishes, Mike & George."
You're Not Eskimo: Better Than Dylan
danger ex machina | Philadelphia, PA | 01/08/2007
(5 out of 5 stars)
"Mister Director, this is better than Dylan to me. What, with all these brats buzzing around like insects in their Misfits and Clash t-shirts straight from Hot Topic (forget that they've never even listened to 'em), somebody has to wisen em up. Sit down and listen to Papa Mike for a while, kid. Punk was (and IS) never about clothes. Watt serves as the anchor for the film, mostly from the driver's seat of his van, waxing off on everything from clay wheels to Richard Meltzer along the way. George Hurley is a given, but everyone from Chuck Dukowski to Spot to Thurston Moore to the members of The Urinals/100 Flowers add their own take on the Minutemen story to the mix. And a fine pot of gumbo it is. But wait, there's more! The three videos are worth the price of admission alone. See Ronnie Raygun drop his payload on our boys in "This Ain't No Picnic". Check out D. Boon munching on a pineapple as the "King of the Hill" while a crowd literally fights for his table scraps. The coup-de-gracie is the wholesale destruction visited upon SST's old office in "Ack Ack Ack Ack", 3 Stooges style. The entire Bard interview intercut throughout the film is presented in its entirety, complete with a snarky interviewer and the band goofing off between takes. Something like twenty deleted scenes, and three full shows on the second disc round out a rare five star package that's actually worth the three hours at my crummy job to pay for it. Like Watt says, you can't help when you're born...some before, some during, some after. But you can let some of those after people borrow "We Jam Econo" or that Screamers DVD Target put out, and maybe, just maybe, a few of em will start their own band, paint their own picture, or write their own book. No sense complaining if you aren't willing to do something else instead, y'know."
The Best
George T. Parsons | Nevada City, CA | 06/30/2006
(5 out of 5 stars)
"Certainly one of the best music films ever made with the incomparable central figure of D. Boon and his best friend, bandmate and bassist Mike Watt, and incredible drummer George Hurley. It does justice to these guys and that's saying A LOT. It's also a great glimpse into unadorned punk history."
Deserves To Be Seen
djrikv | Chicago, IL | 06/20/2006
(4 out of 5 stars)
"This film gives an insight into the interwoven lives of Mike Watt and D. Boon more than an overlook into the band itself. "We Jam Econo" offers plenty for the fan as well as the fanatic. Mike Watt's personal tales of D. and George Hurley make for some of the finer moments of the film. The extras on the second disc are worth buying alone. Three full concerts featuring sixty-two tracks!!! One of the 'concerts' is an acoustic performance in which The Minutemen perform a handful of songs from the "Double Nickels" album, including probably the most moving version of "History Lesson, Pt. 2" ever recorded. The camera work and interview sound is a little shaky at times, but over all this film deserves to be seen by anyone interested in learning about a band that made no concessions. Now, go start your own band!!!"
Some great footage from the Godfather's of American punk mus
Punker looks back from 40 | 12/02/2006
(5 out of 5 stars)
"I came across the 9:30 concert from this video on Comcast "In Demand" this evening and to say the least, I was blown away. While I was not at the 9:30 concert in D.C., I did see The Minutemen at Staches in Columbus, Ohio on the same tour and again opening for REM about two weeks before D. Boone's death. It seems as though I saw them elsewhere but it may be that those two concerts left such an impression at the time.
It is hard to believe that it has been more than 20 years since I last saw the Minutemen perform. And like the above reviewer, I clearly remember talking to D. Boone, who was friendly to everyone, while the opening band played. I also remember the entire band sticking around after the show just to hang out and thank the fans. The British punkers had their haircuts and attitudes. The Minutemen were genuine.
Seeing the 9:30 concert brought me back. As I stood in front of my television, I was 19 again standing at the foot of that very small stage in Columbus where I saw so many great shows. As the 80s punk scene turned to fashion and glamor, The Minutemen were there to keep us honest. With The Minutemen, the music came first. When you saw the white van parked in front of whatever venue they were playing, you knew this wasn't about the money or about the fame. These guys were the real thing.
Early in the first part of the 9:30 show, George (drums) has to fix a broken snare. While it is a slow moment in the concert footage, it was so real. There is no roadie handing him a new kit. The show waits while George fixes it himself. A couple of years after The Minutemen, I remember seeing Mike and George's band FireHose ask the audience (who were patiently waiting for the show to start) if anyone had a guitar or amp, I don't remember which. Apparently, theirs had broken and they couldn't start the show. Someone from the audience said he had one in the back of his car. A few moments later, the band is up and playing, borrowed instruments in hand, and put on another amazing show.
Lastly, D. left us too early and over the years, it is Mike Watt's amazing bass playing that I seem to remember most. Maybe because I was able to see him long after The Minutemen were no longer. Watching this video, however, brought me back the force that was D. Boone. What an amazing performer and as I was reminded, an amazing front man.
If you were there to see The Minutemen, you will want this one for your collection. If you are too young, this footage is one of the few I've seen that truly captures the feeling, the intensity, the excitement of the 80s punk movement. And the music is as intense and innovative as it was back in 1984.