Search - Hard Times on DVD

By far, Bronson?s best movie.

dsrussell | Corona, CA. United States | 06/10/1999

(4 out of 5 stars)

"Old stone-face Bronson wasn't always like that, although he certainly was in this movie, which I think is his best by quite a long shot (although I did like "Chato's Land", "Death Hunt", and "The Mechanic" quite a bit). Centered in or around New Orleans in the depression era, the film is about men who earn their living as bare-fisted street fighters, and one of the best is an unknown fighter played by Charles Bronson. James Colburn is great as his sleezy manager in trouble with the mob. This is a highly entertaining movie with some good performances (even Bronson's) along with a realistic view of the era. Between 1 and 10, "Hard Times" gets a well-deserved 8."

Esthetically perfect action film

Chris K. Wilson | Dallas, TX United States | 12/27/2004

(4 out of 5 stars)

"Walter Hill's 1975 directorial debut "Hard Times" is about as predictable as a "Lone Ranger" radio serial. It's also one of the most esthetically perfect action films you are ever going to see. I'm not sure if there is a single original idea or thought in this Depression era bare-knuckled boxing tale, but it is blessed with a style and verve that raises its level of respectability several notches.



The New Orleans' locale is magnificently used, with detours to Cajun cookouts, strolls through Louisiana graveyards and conversations on French Quarter balconies adding memorable spice to the dramatic gumbo. The trio of stars, Charles Bronson, James Coburn and Strother Martin, a bit past their prime, but as comfortable as a worn leather jacket, are perfectly suited as men scarred by the hard knocks of life.



Bronson especially, is given one of the finest roles of his twilight career. He's a man of few words, riding the rails looking to make a buck in bare knuckle fighting. We never really know his past, with his screen persona filling in the gaps. That's a fault. And yet like a ghost, he silently moves in and out of the shadows of New Orleans creating a fiercely independent character we would want on our side. Coburn, as usual, is terrific as the conman who bankrolls Bronson. He's a fast talker, eventually too fast for his own good. Martin, one of the finest character actors in history, is nothing short of brilliant as the cut man struggling with the dark addictions of life. These three characters are going nowhere, but for a brief moment as a team, they buck a corrupt and brutal system.



The fight scenes themselves are nicely choreographed, but what one remembers from "Hard Times" are the quieter moments - Bronson having a cup of coffee in a diner with Jill Ireland, Coburn smoking a cigarette in bed with a prostitute, Martin sitting in a church listening to gospel singers. These characters are weary and tired, and the Depression has left them hopeless and forgotten.



There is really no surprise as to this film's ending. Yet in many ways it is poetically perfect as Bronson, having saved the day, disappears back into the shadows never to return. This is a street legend as old as the hills. We watch the recent film "Sea Biscuit" and roll our eyes at its excess. We watch "Hard Times" and understand this tale at heart, is a simple yet inspirational one. Rarely has the legend been more perfectly executed on film."