The swordplay never ends in this dazzling, Dumas-like adventure of conspiracy and revenge, set around 1700 and presented here in its seventh filmed incarnation, directed by French New Wave titan Philippe de Broca (That Man... more » from Rio). Daniel Auteuil plays Legardere, a callow swordsman who becomes friend to and bodyguard of the Duke of Nevers (Vincent Perez). When the latter is assassinated by his scheming cousin, Gonzague (Fabrice Luchini), Nevers's daughter, Aurore (Marie Gillain), is left in the care of Legardere, who raises her within the protective camouflage of a traveling troupe of actors. Years later, back in Paris, Legardere exacts a complicated retribution under Gonzague's nose, determined to give Aurore the life and inheritance she deserves. This exceptionally handsome film is an all-out adventure, but the witty de Broca is not one to settle for mere derring-do. The great Auteuil (The Girl on the Bridge) proves as funny as he is heroic. --Tom Keogh« less
"Alexandre Dumas made a reputation for himself writing stories chiefly about the uncommon man who had to rise to the occasion in extraordinary circumstances. Arguably, THE THREE MUSKETEERS and THE COUNT OF MONTE CRISTO stand as some of the best literature of the ages, and the film adaptations have created some of the most incredibly swordplay put to the silver screen.The little heard of and rarely seen ON GUARD ("Le Bossu," 1997, from the French novel by Paul Feval of the same name), by far, features some of the most exciting swordplay with a story that compares to Dumas' best work in many ways.Daniel Auteuil stars as Lagardere, a budding swordsman who can't back down from a fight. One evening, upon trying to best the Duke of Nevers, he inadvertantly falls into the duke's good graces and joins him -- as a sidekick -- on a journey to rescue the man's infant daughter, Aurore. However, as the duke is soon murdered by his villainous cousin Count Gonzague (played with ample creepiness by Fabrice Luchini), Lagardere escapes with the infant and, along with the help of a traveling circus, raises her as his own child for sixteen years ... until Aurore takes up the sword and performs a move only her real father could've known, alerting the now-in-power Gonzague to the fact the the daughter has survived. Now, Legardere is faced with the ultimate challenge of devising a masterful plot to put the woman back on the throne and into her position of prominence!Much of the film is pure plotting and humor, some of which can only be the product of the French ("Ever try sodomy, my friend?"), and I'm quite certain several of the jokes might be lost on an American audience. Still, Auteuil as Lagardere is the film's masterful stroke; he proves himself capable of a Musketeer-like defender, a loving father, and a pining lost soulmate to the lovely Aurore, all the while maintaining his sense of duty coupled with a great sense of humor.The film is presented widescreen, filmed on beautiful locations, and the sound is very crisp and vibrant. ON GUARD is a wonderful adaptation that deserves to be discovered by a much larger audience."
Swashbuckling Entertainment
Heather Richards | a galaxy far far away | 10/05/2004
(5 out of 5 stars)
"I picked this movie up on a whim and was I ever glad that I did. This movie is swashbuckling entertainment at its finest. Not only is the movie beautiful to look at, the acting is top notch and the story line is refreshingly crisp and intruiging.
Daniel Auteuil is the witty and bold Lagardere, who has vowed to avenge the death of his friend and fellow swordsman, the Duke de Nevers, who has been assassinated on his wedding day by his treacherous cousin. Lagardere must then raise the Duke's daughter and somehow regain her birthright. Interspersed through the story is exceptionally choreographed sword play, a love story and a Monte Cristo-like plan of revenge.
Auteuil is lovable and dangerous at the same time as Lagardere and somehow convincingly pulls off being the main romantic lead as well, even though the age difference between he and his paramour is something that most American audiences shy away from. Vincent Perez as the Duke was a wonderful touch. He's frivolous, prissy and hedonistic, but he's also a dangerous man with a sword, in fact more dangerous than Lagardere, and he's also a loving man to his wife and child he hasn't seen and comes out being downright likable. Marie Gillain is spunky and charming as Aurore, the Duke's daughter and Lagardere's ward. She's truly her father's daughter and more than a match for Lagardere.
As with the Count of Monte Cristo, this is a revenge movie at heart with a lot of heart in it. It makes for a lovely period adventure piece and well worth the watch."
"In A Year, 10 Years... 20... I'll Avenge Thee"
Brian E. Erland | Brea, CA - USA | 07/23/2006
(5 out of 5 stars)
"Note: French with English subtitles.
'On Guard' released in '98 is a delightful movie encompassing masterful swordplay, murder and revenge, love and redemption. Starring Daniel Auteuil in one of his finest roles, it's easy to see why he has become a recognized "National Treasure" of France. He is funny, charming, sly, dashing, brave, sensitive and romantic. Truly one of the most engaging actors on the scene today.
Plot: Lagardere (Daniel Auteuil) is hired to escort the Duke of Nevers ((Vincent Perez) to a distant town to wed his beloved Blanche (Claire Nebout) who has already given birth to his daughter. His envious cousin Count Gonzague (Fabrice Luchini) desires both the Dukes money, property and fiance, escorting an envoy of mercenaries to kill the Duke and everyone at the wedding except the lovely Blanche. Lagardere steps in and becomes the hero saving the baby Aurore and escaping to raise her as his own. With the passing of sixteen years the time of revenge and redemption arrives. Is the brave Lagardere up to the task?
This is my favorite French film. Not only is Atreuil magnificent but he has a wonderful supporting cast with the villianous Fabrice Luchini (Count Luchini), Vincent Perez (Count Nevers) and the lovely Mari Gillain as Aurore.
My Highest Recommendation!"
A very enjoyable film.
Lucien | New York | 05/09/2005
(5 out of 5 stars)
"Being a huge fan of Daniel Auteuil's work, watching this
film was a no-brainer. (Anything Daniel touches I must see!) And may I say, it was definitely worth seeing! The storyline, acting, and direction is excellent! It is a fantasy-world that you delve into within the film, and one must remember this. Have a little imagination while watching and don't ask too many questions about character development. This is a film where you escape complicated, everyday life, and are transported to a world where honor, love, loyalty and goodness always conquered above all. Definitely recommended!
"
Grand swashbuckling entertainment!
Trevor Willsmer | London, England | 10/29/2005
(5 out of 5 stars)
"Philippe de Broca's 1997 version of Le Bossu (aka On Guard), an oft-filmed warhorse of French cinema, is probably the best of the bunch. Daniel Auteuil is the sword-for-hire who finds himself sworn to avenge the death of Vincent Perez's amiably pompous aristocrat and to restore his daughter to her inheritance, purloined by Perez's evil cousin (Fabrice Lucini). Shades of Scaramouche ensue as they hide out with a group of travelling players, Auteuil working his way into Lucini's confidence by disguising himself as a hunchback (many businessmen used to hire hunchbacks because it was believed lucky to touch their humps or sign contracts on their backs!). The first half is a little awkward in tone, with Auteuil overdoing the youthful enthusiasm a bit (he's better at doleful than happy), but the second half is pure joy, filled with swordfights, rescues and good old fashioned sentimentality. Vincent Perez has fun sending up his swashbuckling image and even the usually one note Lucini rallies in the second half as he gets to wallow in his own villainy. De Broca's direction has much more panache and wit this time round than in his other classic swashbuckler, Cartouche, the script is extremely witty and Philippe Sarde's score even finds room for a few in-jokes, from the inclusion of a song from his own score to The Judge and the Assassin in a street scene to a wonderfully sentimental use of Cavaleria Rusticana. Good old-fashioned entertainment in the very best sense.
The 2.35:1 transfer is a little soft at times but is more than acceptable. The extras package is more solid than inspired - interview soundbites, B-roll location footage, a few stills and two trailers - but still offers more than overseas releases of the title."