Search - Gilbert & Sullivan - The Pirates of Penzance / Jon English, Simon Gallaher, Helen Donaldson, Toni Lamond, Derek Metzger, Tim Tyler, Craig Schaffer on DVD
Gilbert and Sullivan?s hilarious comic operetta tells the story of the orphan Frederic. The son of a wealthy 19th century man, Frederic?s fate takes a sudden twist when, after his father?s death, his hard-of-hearing nursem... more »aid finds him an apprenticeshop as a pirate instead of a pilot! He fulfills his apprenticeship with not just any old pirate, rather, it?s with the Pirate King himself, the leader of the not-so-fierce "Pirates of Penzance." But now at age 21 and with his indenture ending, Frederic?s sense of duty calls him to rid the seas of his former friends. Despite their track record, the pirates believe they have an ace up their collective sleeves, a way of keeping Frederic amongst them...Starring Jon English, Simon Gallaher and Toni Lamond, this delightful rollicking story includes some of Gilbert & Sullivan?s most famous tunes, including "I am a Pirate King" and "(I Am The Very Model Of) A Modern Major General." "Fast?spectacular?a blaze of action" The Bulletin
"Inspired?fiercely energetic?splendid" Sydney Morning Herald Jon English The Pirate King; Marc James Samuel, his Lieutenant; Simon Gallaher Frederic; Toni Lamond Ruth, a Pirate Maid; The Fabulous Singlettes Major-General Stanley?s Daughters; Helen Donaldson Mabel; Derek Metzger Major-General Stanley; Tim Tyler The Sergeant. Also starring David Coombs, Robert Dale, Michael Flazon, Marc James, Gary Jones, David Lowe, Emma Powell, Peter Rees, David Scotchford, Jason Smith, Anthony Weigh, Lachlan Youngberg, Jenny Wilson Ensemble.
Recorded live at the Lyric Theatre, Queensland Performing Arts Centre, Australia, November 5, 1994.« less
"You can tell from the overture that this will not be Pirates as written. Yes, most of the material is there, but it is re-orchestrated for synthesizer etc. And the cast appears to be VIPs from Austrailia's theater world rather than G&S singers. Rather like the Ronstat Kline US production. Most are amplified and that is at times distracting. Now if you can accept this you are in for a genuine delight. These folks are wonderful entertainers and the schticks flow fast and free. Not that the original is slighted. Look at it as a way to bring G&S up to date. Accept Australia's premise and prepare to be swept up in inspired lunacy."
A must see dvd
tabitha | new zealand | 08/01/2006
(5 out of 5 stars)
"this rendition of the Pirates of Penzance is an excellant watch and has brought enjoyment and laughter to our entire family for a long time .We all have fond memories of watching it again and again and this from young ones you would never get to the opera let alone reportory. The tongue in cheek banter and the interaction with the conductor of the orchestra are hysterical so advice all to settle in for a good laugh and much mirth."
Delightfully fun
Rinne | Sydney, AUSTRALIA | 03/22/2007
(5 out of 5 stars)
"While this production may not quite stick to the 'spirit' that G&S intended, it is possibly one of the funniest things I've ever seen. Pirates is meant to be a comedy, and this makes it more so. It may possibly be that some of the humour will not translate to an international market (it's an Australian production), but a lot of it will.
All the singers are fantastic, possibly the weakest singer is Jon English (the Pirate King) but he makes up for any small inadequacies in his voice with the absolutely amazing energy of his performance. Ruth is played by a veteran of Australian stage, Toni Lamond.
The two best singers are Mabel and Frederick, as they should be.
If you want to watch a fun production, this is what you should watch."
Best Frederick; the rest: We-ll..........
K. Mardis | Lilburn, Georgia United States | 09/21/2006
(3 out of 5 stars)
"This version of "Pirates" is worth the viewing if only to hear the tenor; fantastic control and amazing voice.
Most of the play is tossed away carelessly as the principles (Pirate King and & the Major General) never take what they are doing seriously and we are constantly aware that they are aware they are doing a play and are trying ever-so-hard to be funny.
The 3 Singlets, cast as the ("8, or 9, or 10 in all") General's daughters are talented singers, but their singing doesn't make up for the fact that they look more as if they should have been cast as Ruth(s) AND they chew (read devour) the scenery whenever they're on stage. Oh. Did I mention that for some inexplicable reason they found it necessary to add a rock n' roll beat to many of the songs?
Imagine "Pirates of Penzance" done almost completely for Burlesque and you get the overall impression. If one principle character was overplayed, it might have been cute - this many hammy over-the-top actors and it's just too much. The Pirate King is especially appealing and would have added a certain cache if some of the others had been restrained; notably the Major General who let no sight gag or mugging opportunity slip past him - even those that destroyed character, pace, and plot.
The less said about Ruth, the better. I suspect she is an Australian celebrity; I can't think she was chosen for her acting or singing. The Police Sergeant is a skilled contortionist.
HOWEVER - the saving grace of the piece are Frederick and Mabel. They are just too darn good to miss.
The scenes where the Singlets are restrained, where the Major General is GONE, or the Pirates are on alone work well.
If you are prepared for a bit of a roller-coaster ride, this show is worth watching. Just be prepared with the 'mute' or 'fast forward'."
Fun, frothy and silly
Keen Bean | Australia | 01/15/2007
(3 out of 5 stars)
"If you are after traditional G&S, you've definitely come to the wrong place. This version is fun, frothy and silly, extensively "modernised", with little bits added and with electronic music. This production, with Jon English (Pirate King) and Simon Gallaher, first opened in Sydney in 1984 - just a fabulous night out - and personally I preferred it to what it had evolved to ten or so years later (the 1984 version launched the unknown Marina Prior, had a larger chorus of far more "normal" sisters, featured David Atkins as a sparklingly energetic and very tiny Sargeant, and June Bronhill - a real opera singer - as a delightful Ruth).
It's inevitable that some parts will not please everyone. Some changes enhance it, some seem like change for the sake of change... after all there ARE good reasons this show from the 1870s is still so loved! For example, I love the energy, enthusiasm and dancing ability of anything involving the Pirates and the men's chorus. On the other hand I can't stand the not-so-Fabulous-Singlettes, three singers who play "the ladies chorus" - if I was Frederic faced with a choice of marrying Ruth or going for the "sweet young things" then one of the most beautiful yearning tenor solos in the G&S lexicon would never have been written.
The strength of this production revolves around Frederic and the Pirate King (and that men's chorus!).
Simon Gallaher (Frederic) who I believe mounted this production (?) is a lovely Frederic - sings like an angel, looks young and innocent - just delightful. He plays the role "straight", and it works.
I really enjoy the performance of Jon English as the Pirate King. English (a former 70s rock star) has an awesome presence, helped by being extremely tall. He plays the King as a bit of a thick, a combination of lovable and scary but definitely dumb! - and very funny (although this probably worked better on stage!).
Helen Donaldson as Mabel is lovely - and also played "straight".
Major General - not the best choice - too young (looks like the younger brother of the Fabulous Singlettes), too stupid, too comic. The ORIGINAL is funny enough.
So - to buy it or not? It depends what you are after! My kids are enjoying it (as I speak!) as an intro to G&S, and it's great for that. Those looking for a new approach will find plenty to enjoy, although you may find (like me) that the "price" of the energy and new approach is needing to forgive some stuff!!! Purists will probably find that it is too much.
I DO wish they'd recorded it ten years earlier before it went too far...
There's another production currently running in Australia, from Opera Australia. I expect this will become available in the next six months (it's already been on TV) and I look forward to getting that one. Personally I prefer it, and I have to say the singing is MUCH, MUCH better."