Albert Finney stars as the head of a Shakespearean acting troupe touring Europe during World War II. A senile drunk, Finney is looked after by his dresser, Tom Courtenay. The film details their close and touching relations... more »hip as the dresser remains in the background while enabling the once great actor to continue his work. Albert Finney (Big Fish, Annie). 5 Academy Award® nominations ? 1983 Best Picture, Best Actor, Best Supporting Actor, Best Director, Best Screenplay Adaptation.« less
If you like Shakespeare and the English, You'll Love This
James R. Mccall | Libertyville, IL USA | 01/17/2003
(5 out of 5 stars)
"England, 1940, during the blitz: all the young actors are in uniform, hospital, or dead. Albert Finney, playing an aging Shakespearean, carries on as best he can, leading his troupe of women, and men too old or damaged to fight. Actually, he doesn't lead, but rather is daily cajoled into carrying on by his dresser (played by Tom Courtenay). Courtenay is wonderful as the fussy, loyal, oh-so-English man behind the man, maintaining a desperate hold on his good humour even as his life is coming apart in shreds as Finney disintegrates.It is easy to see that Finney was classically trained, and that his booming stage voice must have rung through many a theater. The snatches of Shakespeare that we do see are great fun, as is the byplay between the old man who can do them in his sleep and even the most humble members of the crew, who by now know all the cues. But mainly this is the story of two men, one an artist who is used to taking what he needs from those around him, and the other who gives his life over to that man, and to some idea of carrying on the great work. This is not a happy film, but it is a great one."
Nominated then forgotten!
P. M Simon | New Mexico | 01/24/2006
(5 out of 5 stars)
"England--WWII-- Albert Finney is the aging star of a Shakespearean stage company, and Tom Courtney is his backstage "nancy-boy" dresser, who must somehow deal with the egomaniacal old ham in the early statges of senile dementia or Alzheimer's. The show must go on, despite bombing raids, Finney's collapse, and other difficulties--or must it?
The fop and the falling star share brilliantly-acted interactions that are alternately infuriating and touching. With well-timed direction, a great screenplay, and a sturdy plot, this film won 5 Oscar nominations but --amazingly-- no Oscars.
That doesn't mean this incipient classic should be overlooked. A fine addition to any DVD library, and one that may not "stay in print;" Order THE DRESSER now--you won't be disappointed!"
Magnificent
P. M Simon | 08/18/2001
(5 out of 5 stars)
"An acting tour-de-force! Ok, sounds like an ad-blurb, but it's true. A beautifully scripted and acted film. Adapted from a stageplay,taking place mostly in a theatre, The Dresser somehow manages, at least to my mind, not to seem like a stageplay at all. This film should be compulsory viewing for any acting student. As far as the complaints that Finney chews the scenery a bit, ummmmm, how do I put this...he's playing an, aging, egotistical scene-chewing actor! That could be why. Yeeesh. Highly recommended to any fan of great acting. "I'd like a nice, cup of tea with my coffee....""
A Funny Yet Touching Story
HenryWingo@aol.com | California | 05/27/1999
(5 out of 5 stars)
"This movie is a very good movie with great performances by the two lead actors whom were nominated for academy awards."
Behind The Scenes
Robert Buchanan | Wisconsin | 03/11/2008
(4 out of 5 stars)
"Suffering through the threat of air raids and a dearth of competent actors in an incomparably dreary wartime England, as well as his own ailing health and encroaching dementia, the aging manager and lead star of a Shakespearean troupe (Albert Finney) and his prissy, fastidious, constantly devoted dresser (Tom Courtenay) tend to their extravagant business under the most difficult of circumstances. While the former struggles with his unreliable sanity, the latter must cope with an increasingly difficult employer, a task for which he is well equipped and never appreciated.
Finney receives top billing, Courtenay the titular role and both men occupy a roughly equal amount of screen time, so that neither man can lay sole claim to the lead in this film. Both deliver extraordinary performances that exploit an exhaustive emotional range, and their own efforts do not eclipse those of an entirely capable supporting cast. Period detail is excellent, as is the rather terse direction. Tremendously popular when released in 1983 and mostly ignored thereafter, this is a film that both students of naturalistic performance and screenwriters who adapt stage material would do well to enjoy and study."