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Blu-ray: Beatuiful picture quality and a second silent Murna
Dennis A. Amith (kndy) | California | 03/23/2010
(4 out of 5 stars)
"With the success of F.W. Murnau's "Sunrise: A Song of Two Humans" back in 1927 and following up with two more Hollywood productions with "4 Devils" and "Tabu", the filmmaker wanted to work on his next film titled "Our Daily Bread".
The film was made in 1930 and was renamed "City Girl" and two versions were made. One that is a silent and one with sound. Unfortunately, for 40-years, no one one knew what happened to the film until the silent version was found in 1970 but the version with sound has never been found to this day.
But the film received restoration and now Eureka! is releasing a HD version of "City Girl" on Blu-ray as part of the company's "The Masters of Cinema Series".
"City Girl" is often compared to "Sunrise: A Song of Two Humans". With the latter being known as one of the greatest silent films ever made, "City Girl" is not as deep and was not as appreciated back then as it is now.
Where "Sunrise: A Song of Two Humans" featured a vamp from the city tries to cajole a farmer to kill his wife and move to the big city with her. In "City Girl", it's the opposite.
The film revolves around a young man named Lem Tustine (played by Charles Farrell) who's father is worried about the family wheat business and noticing the price of wheat plummeting.
The father (played by David Torrence) sends Lem from a small town in Minnesota to the big city of Chicago to sell the wheat for a good price. Upon arriving to the city, and when Lem grabs a bite at a restaurant and this is where he meets a beautiful waitress named Kate (played by Mary Duncan) and both literally fall for each other.
Meanwhile, as Lem tries to sell the wheat, unfortunately prices continue to plummet and he sells it nearly $800 less than what his father wanted. Lem knows his father is going to be unhappy and he's absolutely unhappy that he has to go back home after he has fallen for Kate.
When he asks Kate about the big city, she's not so thrilled about living in it and when Lem tells her that he wants to marry her and bring her back to the country, she agrees.
As the newlyweds go back to the country, unfortunately things are not going as smooth as the couple would want. Lem's father is beyond angry that he sold the wheat for a low price and thinks that Kate is a vamp who is trying to get a piece of the family business (which she is not) and during an argument, Lem's father slaps her across the face.
Kate explains to Lem...and upset as he is, he knows that he is unable to do anything about it which shocks Kate.
Meanwhile, the hired hands who work on the wheat hear that Lem has brought his beautiful young wife to the country and that the father is trying to split them up. Immediately, the men start to find a way to get closer to Kate, especially Mac (played by Richard Alexander) who falls for Kate and will do what he can to steal her away from Lem.
Will Lem and Kate stay as a couple? And can the city girl survive in the country?
VIDEO:
"City Girl" receives its first major 1080p High Definition treatment (24fps AVC). Presented in its original aspect ratio of 1:19:1 , "City Girl" looks absolutely awesome on Blu-ray for a film that is 80-years-old.
A fine layer of grain is included on the picture and a few dust particles can be seen with a few lines going down. But Eureka! has done a fantastic job in showcasing the FOX restored version of the film. Blacks are nice and deep while whits and grays look very good on Blu-ray.
According to Eureka!, for the 2010 Masters of Cinema Series Blu-ray edition, the company decided against HD-DVNR, MTI or other forms of digital resotration or grain removal as test revealed noticeable disruption in tonal quality. Similar to their release of Murnau's "Sunrise: A Song of Two Humans" and Carl Theodor Dreyer's "Vampyr: The Strange Adventure of Allan Gray", the decision was to keep the level of damage still present to what one would see if the same 35mm restored film was projected theatrically.
AUDIO & SUBTITLES:
Eureka! via "The Masters of Cinema" has released "City Girl" in Dolby Digital 5.1 DTS-HD Master Audio. This silent film features a new 2008 score composed and arranged by Christopher Caliendo.
The soundtrack by Caliendo works well with this film but I do wish that Eureka! added several more choices for audio score.
There are no subtitles but English Intertitles are included.
SPECIAL FEATURES:
"City Girl - The Masters of Cinema Series #8 comes with the following special features:.
* Audio Commentary - Full-length audio commentary by film scholar David Kalat.
EXTRAS:
A 28-page booklet with "Reaching Beyond the Frame - Murnau's City Girl" by Adrian Danks (head of Cinema Studies at RMIT University) which is a reprinting of an article published on "Senses of Cinema" back in 2003 and also featured in the booklet are images from the film.
JUDGMENT CALL:
"City Girl" is an enjoyable film and of course, compared to Murnau's masterpiece "Sunrise: A Song of Two Humans", comparisons of these two films are like apples and oranges. Both are Murnau films, both can be enjoyed but one you may like more than the other.
Where "Sunrise: A Song of Two Humans" was like an adventure full of gags and an elaborate set design showcasing Murnau's creative style of filmmaking, "City Girl" is more dramatic and focuses on the love between a man and a woman, a husband and wife and the challenges that they face.
I felt that actress Mary Duncan shined for the role of "Kate" and performances by both Duncan and Charles Farrell (Lem) and David Torrence (Lem's father) was well-done.
But when you start to look back in the past of when "City Girl" was released, it was years when people were becoming excited with the introduction talkies (audio on film). With the success of "The Jazz Singer" in 1927, films were somewhat in a limbo because people either loved or started to lose love for silent films and then the emergence of the talkies were typically bad and many theaters couldn't support Vitaphone or Movietone.
And unfortunately, like many films during this era, they were lost and not seen for decades. Despite the 1937 fire that destroyed 80-90% of Fox's silent films, fortunately the discovery of Murnau's underrated film "City Girl" can be seen via this restored version for the masses.
The Blu-ray release of "City Girl" looks absolutely divine and sure, there is going to be scratches and dust that can be seen on print but for the most part, the detail and clarity of the film is absolutely beautiful. Eureka! has done a fantastic job once again for this Blu-ray release.
Overall, if you are a Murnau or a silent film fan, this is a highly recommended film. And the fact that it's not region-coded means you can play this on any Blu-ray player. In the end, "City Girl" may not be as deep as "Sunrise: A Song of Two Humans" but it's definitely an entertaining, romantic film worth watching."
Good silent
Jmark2001 | Florida | 12/11/2008
(4 out of 5 stars)
"Anyone looking for Murnau's usual brilliant directing flourishes will be disappointed with this rather conventionally told tale but those looking for a very good silent film with a good print will enjoy this little jewel. What could have been a hackneyed melodrama about a waitress who falls in love with a farmer is sensitively and expertly handled. This is a grade "B" plot told with grade "A" finesse. Charles Farrell is excellent as is Mary Duncan. Recommended."
A near-forgotten and overlooked classic!
Barbara (Burkowsky) Underwood | Manly, NSW Australia | 04/18/2010
(4 out of 5 stars)
"Made at the very end of the silent film era in 1929, "City Girl" displays some of the best techniques developed during the silent era while also having the feeling of an early sound film. Nearly two hours in length, there are two distinct parts in this romantic drama: the first puts the spotlight on a young man from the country, played perfectly by the charming Charles Farrell (of "Seventh Heaven" fame) and displaying the old-fashioned qualities of a close-knit family and life on the farm. Attention to fine details as country-boy Lem meets city-girl, Kate, who works in a busy restaurant, reveals a great deal about their characters and feelings without the need for much dialogue. Lem has manners, says grace before a meal, and has an air of innocence about him, all of which attract the weary waitress who yearns for nature and animals as she struggles to live in the concrete jungle of Chicago where people are cold and cruel. This part of the story is very beautifully developed, slowly and gracefully, in the expert hands of director, F.W. Murnau, who then uses his experience and skill in German Expressionism to drastically change the mood in the second part of the story, when Lem brings Kate home as his bride, only to be severely criticized by his domineering and disapproving father. Suddenly, the idyllic romance shatters when Lem's father strikes Kate, but Lem is afraid to stand up to his father, thus leading to more tensions and heartache for the newlyweds. The entire film gets the viewer involved emotionally, both under Murnau's talented direction and the charisma of the leading actors. While Charles Farrell went on to enjoy fame in the sound era, often with "Seventh Heaven" co-star Janet Gaynor, Mary Duncan's much shorter career ended with "Morning Glory" in 1933, in which she co-starred with screen greats Katherine Hepburn and Douglas Fairbanks, Jr. Her role as Kate in "City Girl" allows her to express many different moods, making her the true star of this film, in my opinion. The bullying father is convincingly portrayed by David Torrence, whose successful career included many such sinister or powerful character roles.
Famous German director, F.W. Murnau, who directed only 21 films before his life was cut short in an accident in the early 1930s, had an impressive record of creating many of our greatest silent movie classics: the highly-acclaimed "Sunrise", German productions "Faust", the Dracula horror classic "Nosferatu", "Phantom", "The Last Laugh" and finally "Tabu"; all of them different yet each an example of cinematic perfection.
This DVD by Televista has a reasonably good picture quality throughout, appearing just a little washed-out at times, but the picture does not fit the frame, slicing off heads or ends of words in the intertitles. This is only a minor distraction, however, when the viewer becomes involved in the characters and their plight. The accompanying music also leaves a little to be desired, being a hotch-potch of various styles, from jazz to classical, but most of the time its tone does match the mood of the scenes.
"
One of Murnau's last films
Hounddawg1963 | Illinois USA | 03/30/2009
(3 out of 5 stars)
"This is one of director F.W. Murnau's last films. The plot involves a young man from the country traveling to Chicago to sell the family's wheat crop. Falls in love with a waitress (the City Girl) there, and brings her back to the family farm. The patriarch of the farm is aghast, hates her, and tries to drive her away. Some of the hired farm hands also try to move in on the City Girl. Climax of the film is a storm set to ruin the wheat crop before it can be harvested. Will it destroy the farm, as well as the happiness of Country Boy and City Girl?
I didn't find this film exceptional, and it definitely isn't one of Murnau's best in my opinion, but it is worth watching. The musical score doesn't always fit and there are no extra features in this version. If you are a Murnau fan, its worth a look, however. Three stars just because its a Murnau film, two stars otherwise."
MURNAU'S UNCOMPLETED FILM
E. Hunter Hale | Salt Lake City, UT | 03/29/2010
(5 out of 5 stars)
"When you read that CITY GIRL is not in the class of Murnau's SUNRISE you haft to understand that the film was only partially completed when he walked away from it due to the studio wanting changes. Murnua, due to his land mark work on THE LAST LAUGH in Germany, had been invited by William Fox to come to Hollywood and produced anything that he wished. That film was SUNRISE, which was very expensive and though critically acclaimed it did not made a profit for the studio. Murnau's next film would be the now lost 4 DEVILS which was released in more then one version. Sound was taking over and so the studio had sound sequences worked into the film. Murnau's third film for William Fox was to be OUR DAILY BREAD which was finally released as CITY GIRL. At this period of time William Fox was fighting to keep his studio from being taken away from him. He lost control of the studio and all kinds of changes were wanted for CITY GIRL by those in control. Murnau finally walked away from it and went to the South Seas to make TABU, but he left detailed information for the Fox people as to what needed to be done to finish CITY GIRL. This was ignored and the film was largely reshot with sound sequences that had little or nothing to do with the Murnau vision. The sound version was released and was a complete flop. It had very limited screenings and was soon forgotten. What has survived is the Murnau version as far as he had completed it. So CITY GIRL is a Murnau Work-In-Progress if you will. We are very, very fortunate to have it at all and to be able to see it in an almost mint condition is wonderful! It would be so exciting to be able to see SUNRISE, 7TH HEAVEN and STREET ANGELS in prints that matched the beauty of CITY GIRL. CITY GIRL might be compared to what happened when the studio took THE MAGNIFICENT AMBERSONS away from Orson Welles and diminished what was likely one of the screen's masterpieces."