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Lots of stars that you know in this with a retro style plotline.
1 of 1 member(s) found this review helpful.
Movie Reviews
Classic cinema, essential Beat story
Jones. | LDN | 06/27/2004
(4 out of 5 stars)
"This film could have been subtitled 'The story of Joan Vollmer', as it is based around her last months before William S Burroughs - her husband - shot her.
Courtney Love does much to glamorise a pretty much unknown beat legend character, and provides a languorous air as she floats between scenes as the estranged Mrs Burroughs. However, for me, the story veers too much from the truth to order to create a mainstream product. This is a pity when you are dealing with real lives and real literary history.
The disintegrating, complex relationship between the married couple would have sufficed for an interesting enough story for a Beat fan, but may not have provided much 'spice' for the public.
In this version of events, Joan's use of benzedrine (speed) is played down and her rampant addiction and resulting degeneration is never explored, this could be because of the intended general american audience.
I'm not too sure of the whole Lucien affair thing either...At the closing credits, you're left with a feeling that perhaps Joan Vollmer may have emerged alongide the greats of the beat movement had she not been killed.
In fact, she may not have lasted much longer on her own as alcoholism, the effects of her addiction, drinking and a long-standing illness began to overtake her.(...) pretty much covers it.One final note for Burroughs fans looking to buy - all the actors do a great job of each character, Keifer Sutherland puts some effort in with the mannerisms and delivery (+ a spot-on wardrobe) in the crucial role."
Reedus 5 out of 5 again.
A. Kajcienski | 01/14/2007
(4 out of 5 stars)
"As usual, Reedus delivers better acting than most in the movie, yet he forgoes due credit lack of a bigger name. Definitely an intriguing movie. Sutherland does a good job as always. Courtney Love is slightly distracting.
I'd reccommend this if you're interested in the subject, or would like to see more of the phenomenal Norman Reedus. I've yet to see him perform poorly in any movie, regardless of the audience or the budget of the film."
Good, not the best, but good.
T. Medina | Fayetteville, Tn United States | 02/11/2004
(4 out of 5 stars)
"I have to admit I am huge Courtney Love fan. I have really enjoyed her in 200 cigarettes and The people vs Larry Flint where she proved to everyone that she can indeed act. I have to admit that I am not very familiar with the whole beat generation,but I have read the works of Burroughs, Ginsberg, and Keurorac. I didn't find out about this movie untill recently, andu assumed that Courntey as Mr. Burroughs wife, would be a minial role. To my suprise she is pretty much a central character of the movie. I feel that the movie had some wonderful cinematography, but the acting was a little bit low keyed for all those involved. Still for any enthusiasts of Courtney Love its a must. She played her part well and I am afraid that the subtly in her characters experession through out the film may have either been intentional or chalked up to poor directing. In any case the film is definitely worth a look."
Burroughs Fans Only
pyite | Detroit, MI United States | 11/11/2002
(3 out of 5 stars)
"This movie was obviously made for William Burroughs/Beatnik fans only! Slow moving with a lot of dialogue, although interesting to see a glimpse into everyday life of Burroughs/Ginsberg and others. A "must see" for fans; A "hard to get through" for non-fans."
Ridiculous
Cosmoetica | New York, USA | 09/08/2008
(2 out of 5 stars)
"Ask yourself- if there were a film about a bunch of no talent losers who do stupid thing, but without any humor, would I want to watch it? If you say no, good for you. For that is the sum of what the film beat is about. The losers are Beatnik charlatans William Burroughs (Kiefer Sutherland), his wife Joan Vollmer (Courtney Love), and their pals Allen Ginsberg (Ron Livingston) and Lucien Carr (Norman Reedus). Ok, Ginsberg at least had talent, but anyone with a brain knows he pissed it away. This is a really bad film, and its poverty starts with aimless direction by Gary Walkow, and a script that is utterly devoid of energy, spark, and wit.
The film is basically about the idiotic relationship between bisexual Bill and juiced up Joan, and how he comes to kill her in a drunken game of William Tell with a loaded gun in Mexico City in the 1950s. The film starts with a brief prologue telling us how aspiring newspaper beat writer Lucien Carr's relationships with the others. Their lives are disturbed when one of their friends is killed by Carr and Burroughs leaves New York for Mexico, with Joan. A few years later, Carr and Ginsberg visit Mexico City, where they find out Bill left his Joan and their kids in Guatemala with a gay lover who not so secretly loathes Bill, but pleases him for the money. Carr claims to love Joan, and offers to take her away from all this- or things to that effect. So, he, she, and Ginsberg hightail it, by car, to a volcano destroyed village. Yet, Joan stupidly decides to stay with Bill, who is angry over his gay lover's treatment of him. It's been a while since I saw the film, and I do not care to rewatch it to give its ending away. So, let me just cover my tail by saying you won't be blown away by the ending. Oh wait, it ends with Joan getting shot, and Carr, back in his New York office, weeping.
Oddly, I was weeping, too, at the end of this film, but not for the death of Joan Vollmer, but for the death of the time it took me to watch this crap, as well the commentary which, likewise, left no real impression with me. There are precious few extras, and even were the DVD chock with them they would probably blow, as does almost everything put out by anyone even remotely connected to the Beatniks. That is because they were by and large void of talent and creativity, anomic, childish, immature, irresponsible, and plain old repugnant people who lacked ideas, compassion, sympathy, empathy, and warmth. Did I leave anything out? Oh, yeah, and the acting sucks too. Love should stick to vamping off her dead husband's legacy, Livingston apparently had no clue as to Ginsberg's speech patterns and mannerisms, and the worst of all was Kiefer Sutherland, whose revulsion in a scene where he has to kiss and get `physical' with another guy is something that has to be seen to be believed. It's that bad. Perhaps the only two good things I can say for the film and the DVD is that the film a) ends and b) shows just how dull, and all the other qualities I described above, these people were. I was actually glad when Bill killed Joan. I wanted to do it myself.