This remarkable Academy Award-nominated film by renowned filmmaker Agnieszka Holland (Europa, Europa) tells a compelling story of love and desire during World War II. Middle-aged, lonely farmer Leon (Armin Mueller-Stahl, A... more »valon) rescues the younger Rosa, an upper-class Jewish refugee, as she is fleeing from the Nazis. While he nurses her back to health, their relationship gradually grows more intimate, but disintegrates into a cat-and-mouse power struggle as Leon's mixed motives in hiding Rosa emerge. One of the boldest Holocaust films ever made, Angry Harvest is a fascinating, multilayered portrait of two flawed people forced to depend on each other as war takes its ultimate toll.« less
Beautiful, sad movie... Graced with absolution and hope at t
dooby | 10/24/2006
(5 out of 5 stars)
"This is a lovely but sad movie. It is set in German-occupied Silesia (western Poland) during the Second World War. It centres around a shy, middle-aged Polish bachelor of German descent. After years spent working as a stablehand for an upper-class Polish family, he has finally become a prosperous farmer and landowner in his own right. With the Germanisation of Silesia, his fortunes rise even more, while those of others around him sink. He is ambivalent about the question of Jews. He is a good Catholic, goes to Mass regularly and is a law-abiding, God-fearing man. He doesn't like seeing his Jewish friends and neighbours being rounded up, but he does not feel any personal responsibility in helping. He is a physical and moral coward. When he is given a chance to profit from their misfortune, he initially balks, resorts to rationalising and then quietly goes along; Why not? If not him, someone else would.
Then out of the blue, a Jewish woman arrives, having escaped from a train taking her and her family to the Death Camp. She has been separated from her husband and daughter who are also on the run. He hides her in the cellar and falls for her. Even as he goes out of his way to protect her, he continues to let down and betray his other friends, both Jews and Poles alike. And even with his Jewish runaway, his actions are less than pure. He is, in the end, like most of us, a coward at heart, and driven by self-interest. The irony comes at the end, when in his grief at losing everything, he is hailed as a hero by a stranger whose life he touched only briefly and for whom, for once he did the decent and selfless thing.
This beautiful film from Polish director Agnieszka Holland is presented in its original 1.33:1 aspect ratio (Fullscreen). Picture quality is good, with strong, natural colours, deep black levels, and practically no dirt or damage. There is fine grain throughout but this is not a problem. The original German 1.0 Mono track is provided. Sound is perfectly acceptable and dialogue is crytal clear. Optional English subtitles are provided. There are absolutely no extras. Not even a leaflet or insert."
Right thing for the wrong reasons . . .
Ronald Scheer | Los Angeles | 09/17/2007
(5 out of 5 stars)
"This unsettling film retells the story of the Holocaust in a way that challenges history's usual accounts of a citizenry largely unaware and therefore innocent of Nazi genocide. Providing sanctuary for a Jewish woman, a well-to-do farmer on the German-Polish border makes her a prisoner of his own. Son of peasants and an earnest Roman Catholic, his attempts to be a God-fearing man represent a twisted contortion of the gospel's central message of Christian charity - to love one another. Intent on converting his prisoner to Christianity, he also has designs on making her his wife.
Meanwhile, he benefits with only a slightly mixed conscience from the Nazi's confiscation of Jewish property and agrees with little conviction to assist the efforts of the Resistance. In the end, the moral compromises he makes lead to tragic consequences that cannot be erased by his last minute attempt to absolve himself. Adding further to his culpability are the efforts of his captive to save herself by playing for time and indulging his mixed motives. The ironies of the final scene, in which his story is rewritten, provide little consolation for him or us, and we are left to ponder the impact of choices made in self-interest."
Surviving
Randy Keehn | Williston, ND United States | 12/16/2007
(5 out of 5 stars)
"I have come to appreciate the nominees (and winners) of the Academy Awards Best Foreign Language Film as a source of some great movies. "Angry Harvest" is another example of why that is. "Angry Harvest" is a Holocaust-related movie with a unigue approach. It focusses on the life of a middle-aged, well-to-do, bachelor Polish farmer who finds his life disrupted by the sudden appearance of a Jewish refugee. His dilemna is what to do with her but, being a good Christian, he realizes he cannot turn her away. The movie focuses on their interdependent yet independent relationship. The ending to "Angry Harvest" is quite impressive although we end up having gone through quite an emotional ringer in getting there.
What has impressed me in general with European Holocaust movies is the absence the "hero". Generally, American dramatic movies seem to require either a hero or anti-hero. In movies such as "Angry Harvest" we are better able to grasp the somber reality of the situation by being spared that requirement. Leon and Rosa, our two main characters, have obvious faults, obvious needs, and not-so-obvious gifts. They cannot change the world but they can make a bad situation somewhat better for awhile at least. In a world gone mad, just surviving a little longer is an accomplishment. The Holocaust is not a subject where good guys win and bad guys lose. "Angry Harvest" is as close as it gets to a happy ending."
Under such infernal circumstances of death and horror, any h
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Agniezka Holland has been probably the major female filmmaker all over the world since the last two decades.
And this film confirms it. From the countless dramatic testimonials, emerges this crude story. During the German occupation of Poland, a Christian farmer saves a young Jewish woman; their resulting relationship in the middle of the hellish horror becomes an interdependent love and the expected terror, final product of this state of things that will end in tragedy.
Armin Müller Sthal once more establishes with this powerful performance, why he was by then one of the
top actors in the world.
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Unique Holocaust movie
z hayes | TX | 02/06/2009
(5 out of 5 stars)
"I am really glad I discovered "Angry Harvest", a 1985 German movie, which turned out to be a unique Holocaust drama centering on two individuals. The talented Armin Mueller Stahl plays Leon, a wealthy Polish farmer of German descent who has worked his way up from his humble beginnings and earned the respect of his peers. Despite his wealth, Leon, a devout Catholic, is unmarried and extremely lonely, confessing to constant masturbation to his priest. Leon's life takes a drastic turn when he discovers Rosa, a Jewish woman hiding in the woods [she had escaped a train transport headed to a concentration camp with her husband and young child but got separated in the process].
Initially, Leon's motives in sheltering Rosa seem altruistic, especially since it poses a great risk to him [sheltering Jews during the Nazi occupation was punishable by death]. But, we soon get the sense that Leon has hidden motives - he craves companionship, and falls in love with Rosa, though the relationship does seem driven more by lust on the part of Leon. He also wishes for Rosa to convert to Catholicism, and tutors her in catechism, hoping to 'reform' her and put her on the right path to absolution. Faith seems to be the furthest thing from Rosa's mind, and the only thing that seems to keep her going is to be reunited with her husband, though by capitulating to Leon's advances, she seems to have lost the faith that her husband may be alive.
Besides the strange dynamics of Leon and Rosa's captive-captor relationship, other events give us more insight into Leon's character. He seems outwardly disgusted by the injustices inflicted by the Nazis upon the Jews and others, but when he is asked to help a Jew in hiding, a Mr Rubin, he balks at helping the man, though Rosa manages to change his mind. When a member of the Polish Underground asks him to assist them, he readily agrees, but when he realises the situation puts him at extreme risk, he casually passes on the responsibility to an innocent woman with tragic consequences.
Only at the end, when it's rather too late, does he try to atone for his misdeeds, but the absolution that he craves comes rather too late. I think the ending can be interpreted differently by viewers - it can be either seen as Leon receiving some sort of absolution for his transgressions or it can be viewed as a man who still carries a heavy weight on his conscience. Either way, this is a powerful human and Holocaust drama that deserves a wider audience.
There are no extras on this DVD, and this German production does come with English subtitles."