"This is absolutely Eddie Murphy's best movie! Certainly better than most other stuff he's done this century, and the past decade! I saw this movie for the first time in the theater, and also have it on VHS. I have watched this movie easily 50 times. I'm sure it might be more though.
It is a true classic, highlighting the true natural talent of Eddie Murphy. He and Nick Nolte play off each other well, and Nolte isn't too bad himself in the comedy department. Though his type of humor is much more subtle. He does get his digs in, on Mr. Murphy's expense, mind you.
To the best of my knowledge, this was one of the first movies that combined excellent humor scenes with extreme violence and emotion. And while many tried to duplicate it, in later years, including other Eddie Murphy vehicles, such as Beverly Hills Cop, nothing can compare to the original!
A true classic. I will probably buy this on DVD soon, but I'm kind of holding out for an "extras loaded" special DVD, if it were to come out! Don't know that for a fact, but I'm still holding out hope!
Two very enthusiastic thumbs up!!!
MC White said: Check it out!!!"
The Film That Launched Murphy's Career
Gus Mauro | Brandon,mb | 10/27/2001
(4 out of 5 stars)
"When i look back at the films of the 1980's "48 Hours" has to
be one of the best and most memorable films of that particular
time periord. What is shown here is a slam bang mix of action
and rasict comedy when Murphy is sprung out of jail on a weekend
pass to help a tough no-nonsense cop(Played by Nick Nolte in his
good attempt at playing these type of roles) in tracking down
Murphey's ex-partner who is ine search of hidden loot from a
previous heist. The chemistry between Murphey & Nolte is realistic and times very funny. This is the film that pretty much
started the whole "buddy buddy" craze which was very popular back
in the eighties especally films like THE LETHAL WEAPON films
The standout performaces was when Murphy masquarades as cop
in a local redneck bar. Very funny film and is indeed one of
Eddie Murphy's best."
48 Hours (1982)
The Tweeder | Indianapolis, Indiana | 12/31/2005
(4 out of 5 stars)
"Director: Walter Hill
Cast: Nick Nolte, Eddie Murphy, Annette O'Toole, Frank McRae, James Remar, David Patrick Kelly, Sonny Landham, Brion James, Kerry Sherman.
Running Time: 96 minutes
Rated R for violence and language.
Walter Hill is one of those directors who seems never to make an average film, mainly because his movies are, generally-speaking, either very good or very bad. "48 Hours" is one of his "very good" offerings, giving Eddie Murphy one of cinema's most unforgettable movie debuts and invents the conventions of the buddy cop genre that were to become blueprints for years to come. The film opens with psychopathic Albert Ganz (James Remar) escaping from a chain gang. Determined to track down Ganz, tough cop Jack Cates (Nick Nolte) springs a fast-talking convict named Reggie Hammond (Eddie Murphy) from jail for forty-eight hours, during which time the mismatched duo must find their quarry. Cates doesn't like blacks, and Hammond doesn't like cops, so before they can even get to the business of tracking down their man they first have to come to terms with working alongside each other.
Fast-paced, energetic, foul-mouthed and funny, 48 Hours is simply a great ride. Nolte underplays brilliantly, wisely allowing Murphy to handle the loud and showy role while he etches a gruff, rugged characterisation as a cop on the warpath. The leading characters are rounded off wonderfully by James Remar, as a genuinely bad villain. If the plot to "48 Hours" sounds like a collection of all the clichés and predictabilities that ruin most films, it's important to remember that before this film nothing like it had really been done. These plot devices and conventions are only considered "cliches" nowadays because "48 Hours" was so influential, not to mention frequently-imitated, in the ensuing years. James Horner's music score is perfectly judged too. There are numerous exciting and hilarious moments, but none rival the bit where Murphy causes a stir in a redneck bar. More often than not famous movie scenes fail to live up to their lofty reputation, but in this case that simply isn't so. It really is an electrifying screen moment in a film that really is an electrifying screen experience. Paved the way for Murphy's great film career and buddy cop successes such as "Lethal Weapon" and "Rush Hour"."
BOSOM BUDDIES REDUX
Michael Butts | Martinsburg, WV USA | 06/04/2006
(4 out of 5 stars)
"48 HRS, a nifty actioner from director Walter Hill, is considered as the buddy movie upon which future films of this ilk would be judged. Nick Nolte and Eddie Murphy certainly had a sharp chemistry in this tale of a veteran cop who "borrows" convict Murphy for the titular 48 hours to nab a prison escapee and cop killer, played luridly by a young James Remar. The action is fast and furious and Murphy in his first big screen breakout overcomes his foul mouth with a good turn, especially in the critically lauded scene at the redneck bar. Sonny Landham and David Patrick Kelly are suitable villains but lovely Annette O'Toole is wasted in the role of Nolte's sometime lover. However, this is a very entertaining film and shows why Murphy became such a hot box office property at the time."
48 HRS.
Arnita D. Brown | USA | 01/21/2010
(5 out of 5 stars)
"Jack Cates is a cop who doesn't exactly play by the rules and is not a team player. He works alone. When he runs into two cops who are going to arrest someone for a misdemeanor, he joins them. When they knock on the door, they're shot at. Eventually Jack comes face to face with them and when one of them has his gun trained on the other cop, the other guy tells Jack to give up his gun which he does. He then shoots the cop and tries to shoot Jack but misses. Later part of the department thinks Jack was a coward for giving up his gun and the others think that Jack's wild ways got the cops who was with him killed. Jack learns that the guy who told him to give up his gun is an escaped convict and the other guy was the one who busted him out. Jack also learns he's been killing his former associates. Jack learns that another associate, Reggie Hammond is in prison. Jack goes to see Hammond; initially Hammond doesn't want to help until he learns of the man's escape but insists that Jack has to get him out to help with him. Jack does and Hammond takes Jack all over town hoping to find the guy but Jack suspects Hammond is holding back. The movie is exciting and tight, one of the best action movies of the eighties.