50th Anniversary Edition includes Colorized by Harryhausen v
new yorker | NYC | 05/24/2007
(5 out of 5 stars)
"The disc will contain full frame (1.33:1) and anamorphic (1.85:1) digitally-restored versions of the film, as well as a newly-colorized edition supervised by Harryhausen himself. "
Bonus features including audio commentary by Ray Harryhausen, visual effects artists Dennis Muren and Phil Tippett, and producer Arnold Kunert; Remembering 20 Million Miles to Earth, wherein Harryhausen and others discuss the film's production and influence; Tim Burton Sits Down with Ray Harryhausen; The Joan Taylor Interview; Colorization; a video discussion of 20 Million Miles to Earth's 1957 marketing and advertising campaign by producer Arnold Kunert; Mischa Bakaleinikoff: Film Music's Unsung Hero; Colorization featurette and an elaborate still and production art gallery."
Another Harryhausen classic and one of his best creations
The Creature Critic | Knoxville, MD USA | 12/24/1999
(4 out of 5 stars)
"This is the type of film I love. Good story,good effects and a GREAT monster THE YMIR to boot. This is what hollywood needs to do is go back look at films like this and realize that its substance to a movie not CGI effects that tell and make a story. Im 24 and have a old school style when it comes to sci-fi/horror which I TRULY LOVE. If you are a monster fan or a sci-fi/horror movie collector this is a must see and have movie either for the first time or for your movie collection. To me this is one of Harryhausens best creature designs and the creature himself has substance that makes you want to root for him. For the sci-fi lover in you rent this or buy this but whatever you do see this masterpiece from the golden-age of science fiction. Bring back the old school!"
Ray Harryhausen's classic Sci-Fi Creature Creation
Simon Davis | 05/15/2003
(5 out of 5 stars)
""Twenty Million Miles to Earth" is a superb example of 1950's sci-fi story telling and special effects at their very best. The film has so many different things to offer a sci-fi buff like myself, top notch work by genius Ray Harryhausen, wonderful on-location photography in the beautiful Eternal City Rome, and one of the best monster creations of the entire 1950's decade in the famed "Ymir" from Venus. Indeed "monster" is not really an appropiate title in this case for this visitor from beyond the stars is a creature very much in the "King Kong" mode of being a sympathetic victim of man's lack of care and understanding in bringing him out of his own environment into a strange new world he does not understand."Twenty Million Miles to Earth" tells the tale of the return to Earth of the first exploration spaceship to reach the planet Venus. Unfortunately the ship crash lands into the sea just off the coast of Sicily killing all crew members with the exception of Col. Robert Calder (William Hopper). Just prior to it sinking the local Italian fishermen manage to save the Colonel and one of the local boys Pepe (Bart Braverman in an endearing performance)finds a strange capsule washed up on the coast after the ship sinks. Unaware of its strange contents which in actual fact is a baby creature found on Venus by the crew and preserved in a liquid, it is sold off to Dr. Leonardo (Frank Puglia) who decides to take the strange creature to Rome. However what is soon discovered is that the creature begins to grow at an alarming rate until it is twenty feet tall and then breaks loose and roams the countryside looking for food and protection. Many memorable moments occur as the creature tries to cope in its new world from the unforgettable attack in the farmers barn to its eventual capture under an electric net by the army. Once taken to Rome where it is housed in Rome's Zoo the creature revives and goes on a frantic rampage throughout the city destroying famous sites in the eternal city along the way. The climax of the story in shades of "King Kong", takes place atop the Colosseum where after a stirring fight the poor creature is shot down by the army.Ray Harryhausen excelled himself with his creation for this film. The Ymir from Venus, despite its scaley appearance and threatening reptilian manner takes on a whole character of its own and in the scenes of it going on a rampage you can almost feel its frustration and panic as it is cornered and pursued by soldiers and shot at. It certainly is one of Harryhausen's greatest creations and a real joy for Sci-Fi buffs and there numerous wonderful stop motion scenes created for this classic story. Memorable are the creatures rampage through the old Roman Forum, his battle with the elephant in the streets of Rome and all the scenes that take place at the climax within the Colosseum. Actors and storyline really take second place to the action particulary in the second half of the film but William Hooper and romantic female lead Joan Taylor do well in their respective roles which may not be too challenging but are delivered with a certain degree of conviction.For all lovers of 1950's science fiction "Twenty Million Miles to Earth" is one of the very best examples of movie making in this genre. Long before computer generated special effects removed any real artistry from monster construction, efforts like this showed the brilliance of earlier film makers who worked for months often to create their special effects that have a charm and vivacity all their own. This is a classic "monster on the rampage" story but it is one with a fascinating "Lead Monster" who will definately get you on side. Enjoy classic 1950's Sci-Fi adventure with the Ymir from Venus in "Twenty Million Miles to Earth"."
20+ Million Miles to Earth
Phil Smoot | 12/13/2007
(5 out of 5 stars)
"Really fun film, but should be titled 25 Million Miles to Earth, as a Creature from Venus would have to travel at least that far to get to Earth (when our planet and Venus are as close as they get). I can accept colorized movies today as it usually means that they first do High Definition restoration on the black & white version (and offer that option on the dvd as well) before colorizing the film. In this case, the color looks great except for the fleshtones (which, with just about all colorized films that I have seen, they always get skin color a bit yellow, as if everyone has a liver problem -- Can't understand what the problem is with that, because if you can get closer to a real flesh tone, then one is more willing to accept the rest of the colors). At least see the Creature battle the elephant in color! Unlike many such films, this one has action throughout and seldom gets slow. Excellent transfer for this 1957 film -- So, despite some bad science, a dated rocket (in the opening scene) and some 50's hokum, this is an exceptionally good action film for its time and remains so over 50 years later."